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Results for: Two Fingers
With his latest album, the artist proves his genre-defying feats have only just begun...
Alexander Ridha loves sound. He uses the word 45 times in 62 minutes of conversation. That’s once every 82 seconds, if you’re counting. “My...
Features
Amsterdam-based brit Paula Temple is renowned for her full-throttle hybrid performances and punky industrial productions, which have earned her wide respect across the techno scene...
We interview Nadastrom & Sabo ahead of hitting the road, plus free Scion AV EP!
We went, we saw, we determined. The verdict: moombahton. It's all over the place and the people love it. So much so that we no...
Features
With music venues shuttered across the nation, and no timeframe for reopening, the future looks bleak for UK clubbing. DJ Mag speaks to venue owners...
The UK capital is making major strides...
Pretty much the whole of clubland was appalled when Fabric had its license revoked a few months back — after all, if Fabric could be...
Features
The relationship between dance music and British politics has often been fraught and confrontational. But in the last five years, promoters and politicians have started...
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Over the past three years, the name RIOT CODE has become synonymous with a strain of hard, fast techno, landing on labels like Noise Manifesto, HOMAGE and NineTimesNine and hammered out at parties like Teletech. Formerly a duo, the Derry-based project is now an individual venture for Oliver Grant, who’s ready to lift the trademark mask and take things to the next level. Alongside a storming Recognise mix that capture’s RIOT CODE’s past, present and future sounds, he speaks to Olivia Stock about going solo, navigating the techno scene as a trans artist, and what the future holds
Features
On her new album for Modern Love, Mexican-American producer, DJ and audio engineer Delia Beatriz, aka Debit, combines ancient Mayan wind instruments with machine learning. Ahead of its release, she records a “pre-hispanic to post/transhispanic ambient mix” for the Recognise series, and speaks to Eoin Murray about DJing for Azaelia Banks, her desire to contribute to the canon of electronic music, and making ambient music that goes beyond “beautiful”
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Delhi-born, Brooklyn-based synthesist, composer and singer Arushi Jain’s modular explorations are guided by boundless curiosity, and a researcher’s sense of wonder. On her new album for Leaving Records, ‘Delight’, she weaves enchanting vocals, organic instrumentation and elements of Indian classical music into her unique electronic framework, reflecting on love, longing and the nature of beauty. Tara Joshi learns more
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After almost 30 years — minus a couple of splits — operating as Orbital, Paul and Phil Hartnoll are back with their first studio album...
Orbital are back. Hooray! One of the most important electronic bands of the last 30 years have split a couple of times over the years...
Features
It first happened at a media dinner about five years ago. I was sandwiched rather uncomfortably between two older international journalists — one from Amsterdam...
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The secret to John Summit's success lies in his work-hard, play-hard mentality, which has led to the former Certified Public Accountant to become one of the most in-demand DJs around. Ahead of his set at DJ Mag's Miami Pool Party this month, Megan Venzin hears his story so far
UK producer Lange delivers an exquisite selection of melodic trance
"We are the music makers, and we are the dreamers of dreams." It's these resonating words — spoken by Willy Wonka in the original film...
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The ever-rising DJ and producer takes us on a tour of his beloved hometown...
It’s an unseasonably hot day in London when DJ Mag sets off to meet Theo Kottis. A Scottish producer with a story to tell, Kottis...
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The Avalanches’ debut ‘Since I Left You’ is one of electronic music’s all-time classics, a sample-heavy travelogue which charmed the globe in 2000-01. Then they...