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Above & Beyond are a genuine phenomenon. Arguably the biggest electronic DJing and production collective the UK has ever produced, inspiring almost unimaginable adulation in...

“It's wonderful and troubling at the same time, because there's this sense of responsibility when somebody lifts their shirt up and their entire back is...

The seminal tracks that changed dance forever

As a teenage boy, music-obsessed Kris Needs ran the fanclub of '70s bluesy-glam band Mott the Hoople before becoming immersed in the London punk scene...

Team DJ Mag asked DJs featured in our annual Top 100 and Alternative Top 100 polls to vote for their absolute favourite festivals. Collating all...

11. BURNING MAN
12. TIMEWARP
13. CREAMFIELDS
14. MOVEMENT
15. PAROOKAVILLE
16. WORLD CLUB DOME
17. LOVE INTERNATIONAL
18. OUTLOOK
19. FUSION
20. DOUR

Over the years, we’ve kind of made polls something of a speciality here at DJ Mag. Over 1.2 million people voted in the Top 100...

 

Orbital’s eponymous debut album, also known as The Green Album, was released via FFRR in 1991. As part of our Solid Gold series, Ben...

Most electronic music acts are fairly easy to work out. Not so Orbital, a British duo whose career has been marked by distinct phases of...

Daniel Avery in black and white looking at the camera in a big fur coat, white shirt and black tie

Daniel Avery has made the defining album of his career to date with ‘Ultra Truth’. Incorporating everything from techno and ambient to jungle drum & bass, it features contributions from SHERELLE, HAAi and Kelly Lee Owens, among others, and is simultaneously raw and beautiful. Anna Wall meets him in a North London café to talk about collaboration, staying true to himself, and the enduring influence of Andrew Weatherall

It’s a Monday morning, and we’re sitting in the garden of a modest café in Newington Green, North London. Outside, the final rays of summer...

Over the years, has anything offered more sun-drenched hedonism than the Miami party season? Judging by the amount of bikini-ridden, buff-tan parties squeezed into Miami’s...

 

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Solid Gold - Chemical Brothers 'Come With Us'

‘Come With Us’ was the birth point of The Chemical Brothers 2.0, and it came at a vital time, with the dance music slump of the early '00s leaving many big electronic groups looking vulnerable. Here, on the 20th anniversary of the release of the album, Ben Cardew looks back at how 'Come With Us' reinvigorated their career

The Chemical Brothers entered the new millennium looking tired. Their third album, 1999’s ‘Surrender’, featured massive hits in ‘Hey Boy Hey Girl’ and ‘Let Forever...

Riots severely damage music industry as record labels lose stock in warehouse fire

The recent riots sweeping across London since Saturday have proved disastrous for a large number of music labels - mostly small independents - after a...

Get acquainted with Wiltshire’s Eusebeia, whose ethereal sound fuses jungle, techno, dub and ambient with ancient philosophical themes

One of the first legal UK mega-raves to bring dance music culture to the masses was Fantazia. With its emphasis on spending big production budgets...

By the early ’90s, dance music in the UK was already a complex beast. US house and techno cross-pollinated with synth-pop, rare groove and soundsystem...

Paranoid London’s acid reign

Acid duo Paranoid London new album boasts a beefier sound than ever, and a host of new collaborators. Here, Joe Roberts meets them and learns how a chance meeting, faster tempos and the politics of the moment have shaped their new approach

It’s a dark, wintery evening in far North London and Paranoid London are in full flow at DRUMSHEDS, London’s latest super-venue. Opened on a former...

Paul van Dyk began consuming music by listening to forbidden Western radio stations and smuggled mixtapes. After German reunification he was perfectly placed to start DJing...

Leon Vynehall sculpts a mix of experimental sounds, smoky house and peak-time techno for the On Cue series, and speaks to Ray Philp about finding...


We catch up with the hardest working man in dance to talk his rise to fame, his Revealed Recordings label and his bid for world...

“After I do a gig, if I’m in a party mood, it’s my tour manager’s job to remind me that this is my job,” says 25-year-old megastar DJ Hardwell. “Even though when I DJ and travel it doesn’t feel like a job. It feels like a dream come true.”