The Chemical Brothers entered the new millennium looking tired. Their third album, 1999’s ‘Surrender’, featured massive hits in ‘Hey Boy Hey Girl’ and ‘Let Forever...
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Features
‘Come With Us’ was the birth point of The Chemical Brothers 2.0, and it came at a vital time, with the dance music slump of the early '00s leaving many big electronic groups looking vulnerable. Here, on the 20th anniversary of the release of the album, Ben Cardew looks back at how 'Come With Us' reinvigorated their career
Features
Orbital’s eponymous debut album, also known as The Green Album, was released via FFRR in 1991. As part of our Solid Gold series, Ben...
Opinion
The Warehouse Project returned for its final year at its “spiritual home” of Store Street last weekend. DJ Mag’s deputy digital editor Rob McCallum looks...
The UK club scene has changed hugely since the mid-noughties. The End is gone. As are The Cross, Turnmills, The Arches, Sankeys and countless more...
Celebrating twenty years at Radio 1
It's almost impossible to imagine the changes in dance music that Pete Tong has seen since he first stepped up to the decks as a...
Features
DJ Mag's Solid Gold series revisits and examines the ongoing significance and influence of electronic albums throughout history. In this edition, Ben Cardew discusses how Leftfield's...
Bastardisation has long been at the heart of the British musical soul. The Beatles had it, tying up US R&B into wonderful new forms in...
Features
Sónar Festival founder Enric Palau looks back at the event’s first quarter of a century with DJ Mag’s Sónar veteran Ben Osborne...
From 17th from 20th July, Sónar, one of the world’s leading festivals of electronic music, art and technological innovation, will return to Barcelona for its 25th year, and...
Secret Solstice festival sweeps us across Reykjavík and into Iceland’s wilderness on a groovy trip of unimaginable extremes...
“HOLY GOD, IT’S FREEZING!” We aren’t sure who screams that line. Could be us. Most probably is. But regardless of whose mouth utters the...
Features
One of the first legal UK mega-raves to bring dance music culture to the masses was Fantazia. With its emphasis on spending big production budgets...
Cover Features
After years in the UK underground as solo artists, brothers Tom and Ed Russell, formerly known as Truss and Tessela, have made huge strides as a duo in recent years as Overmono. Lauren Martin learns how they’ve built a sound and A/V live show that taps into UK dance music legacies, all while staying true to themselves
Features
Team DJ Mag asked DJs featured in our annual Top 100 and Alternative Top 100 polls to vote for their absolute favourite festivals. Collating all...
11. BURNING MAN
12. TIMEWARP
13. CREAMFIELDS
14. MOVEMENT
15. PAROOKAVILLE
16. WORLD CLUB DOME
17. LOVE INTERNATIONAL
18. OUTLOOK
19. FUSION
20. DOUR
Features
Leon Vynehall sculpts a mix of experimental sounds, smoky house and peak-time techno for the On Cue series, and speaks to Ray Philp about finding...
The United Kingdom of rave returns
House is still topping the UK charts; the EDM beast is mutating and consuming every thing in its path. Never before has there been so...
Boys Noize opines on following true love, searching for the perfect sound, meeting Skrillex and Deadmau5, and having a strange relationship with melody...
In Germany towards the end of the nineties, Berlin was synonymous with hard-edged techno sounds but Hamburg was flying the flag for a more traditional flavour of house music. So the young Alex Ridha grew up surrounded by influences from Detroit and Chicago, which provided the fuel for a serious life-long vinyl addiction.
Above & Beyond are a genuine phenomenon. Arguably the biggest electronic DJing and production collective the UK has ever produced, inspiring almost unimaginable adulation in...
“It's wonderful and troubling at the same time, because there's this sense of responsibility when somebody lifts their shirt up and their entire back is...
We catch up with the hardest working man in dance to talk his rise to fame, his Revealed Recordings label and his bid for world...
“After I do a gig, if I’m in a party mood, it’s my tour manager’s job to remind me that this is my job,” says 25-year-old megastar DJ Hardwell. “Even though when I DJ and travel it doesn’t feel like a job. It feels like a dream come true.”