Yura Khlop, aka SE62, is a permanent fixture within Kiev’s dance music scene. After being invited to play alongside Mike Huckaby in 2015, he joined...
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Results for: Village Underground
Features
The latest and greatest DJs and producers rising to the top this month. From thunderous techno and languid house to colourful bass and EBM, here's...
Our European choices...
NUIT SONORES
French Touch
So good, Floating Points named a tune after it — it's easy to see why. Nuit Sonores sprawls over five days...
Hessle Audio, the label run by Ben UFO, Pearson Sound and Pangaea, has just reached its 10th anniversary milestone.
Initially bonding over the infinite possibilities of the embryonic dubstep scene in the midnoughties, the trio soon set off on their own tangents. Launching Hessle...
Dirtybird take their low end theory on the road
If there’s been one trend that’s wheedled its way into all corners of electronic music in the last two years, it’s bass. Indecent ladles full of the stuff, speaker stacks positively groaning with the strain of lowdown, filling-rattling subsSan Francisco’s techno overlord Claude VonStroke is incubating a nest full of underground club killers in 2012, set to hatch and dive-bomb clubs Angry Birds-style
Strap in for an epic journey through drum & bass...
Philth — aka Phil Robinson — has delivered an absolute whopper of mix for our latest DJ Mag Weekly Podcast!
Despite what his name may...
The tunes that ruled 2016...
Thank god for Shazam, eh? Gone are the days of hearing a killer tune and painstakingly searching for it. Singing a hook to a bemused-looking...
A guide to dance music's pre-rave past...
We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...
We troll him about his hatred of EDM...
Uncompromising, passionate, and very opinionated: Dave Clarke is the man John Peel famously dubbed the Baron of Techno. As one of the consultants for the...
Features
After hugely successful residencies in Ibiza, a festival in Croatia, and regular tours around the world, Defected’s latest festival destination is in Malta. Ria Hylton heads to the island to take in the inaugural event
The DJ Mag USA cover star keeps it all in the family, DIY style...
After a decade spent pushing creative new sounds through the European underground, Solomun celebrates Diynamic Music's 10th birthday with a party concept that's as unique...
DJ Mag travels to High Contrast's home city of Cardiff to meet the film-obsessed DJ/producer...
Lincoln Barrett really loves movies. Invited into his spacious house in the town of Penarth, minutes from central Cardiff, it’s impossible not to notice the...
Features
Each month, DJ Mag UK's fashion editor Amy Fielding catches up with some of our favourite artists to talk about all things style. Check out...
Features
Acid duo Paranoid London new album boasts a beefier sound than ever, and a host of new collaborators. Here, Joe Roberts meets them and learns how a chance meeting, faster tempos and the politics of the moment have shaped their new approach
Over the years, has anything offered more sun-drenched hedonism than the Miami party season? Judging by the amount of bikini-ridden, buff-tan parties squeezed into Miami’s...
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SUNSHINE
PARTYING
BLING...
Features
1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today