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Mixing booming West Coast hip-hop 808s, squelchy funk, sizzlingly sexually charged R&B and deep house, Boston's Soul Clap (aka Eli Goldstein and Charles Levin)...

J Dilla press shot

J Dilla changed music with his unique production style and wonky beat patterns. Ahead of an expansive new book on his life and art, Marke Bieschke talks to author Dan Charnas about the enigmatic artist’s impact 

D is for Detroit. D is for Dilla. D is for ‘Donuts’, the legendary 31-track collection that James Dewitt Yancey — aka Jay Dee, aka...

It's been 10 years since seminal club The End closed its doors for the last time. We speak to the family members, close team, and...

“If there’s one thing to learn from rave, it’s this: you can do anything, if you do it together.” – Sheryl Garratt, Sweet Harmony –...

A selection of 8 press shots of artists featured in DJ Mag’s March emerging artists feature

The latest and greatest DJs and producers rising to the top this month. From masterful footwork and radiant house, to striking Latin beats, eclectic electro, breaks and beyond, here’s March 2024’s list of upcoming talent you should be keeping track of

“I want to see the bodies riding soundwaves, sparkling sweat in the air, and infectious smiles,” says cay horiuchi, whose DJ sets seek to create...

From the histories of global scenes, sounds and labels, to explorations of music’s power to alter the fabric of society and forge communities, here are...

Crazy P are more than just a band: they're a phenomenon, a live unit of astonishing charisma, an act that unite club DJs, pop fans...

“Yes, absolutely, every single time!” Crazy P’s front woman Danielle Moore croons down the phone line to DJ Mag. “I still get nervous onstage...

 On Cue is our flagship mix series, celebrating the pivotal DJs and producers whose influence has shaped the world of electronic music, both in their...

Speaking to Sicaria Sound, aka Ndeko and Imbratura, you sense the camaraderie that unites them as friends and as a DJ duo, pushing the sounds...

Featuring music from Justice, Luciano and Paul Kalkbrenner...

Matthias Meyer celebrates the 15th anniversary of Berlin clubbing institution, Watergate, with 15 tracks from the venue’s illustrious history.

As a resident at the club...

We chat to infamous breakbeat duo Stanton Warriors about their seminal mix/comp, 'Stanton Sessions Vol 1'

Mark Yardley and Dominic Butler, aka the Stanton Warriors, met at the Fifty First State garage label/studio complex in London in the mid-1990s, although they...

His anthemic tracks for Innervisions, Life and Death and his own BOSO label dominated club sets in 2014, and even made the UK Top 10...

“I'm a straight guy,” says Ten Walls, aka Lithuanian producer Marijus Adomaitis, also known as Mario Basanov, as he fixes his gaze directly across the...

Amon Tobin's evolved "Two Fingers" project

Amon Tobin started out experimenting with a double cassette player and ended up piloting the world's most mind-blowing live show.

Alison Wonderland is on the verge of releasing her sophomore studio album, ‘Awake’, after an incredible 2017 that saw her debut at No. 89 on...

Alison Wonderland is serenading DJ Mag over the phone. We’re comparing tattoos, and this author only has one – a waveform from Modjo’s 2001 hit...

Photo of Arushi Jain wearing a beige dress with glove details against a brown background

Delhi-born, Brooklyn-based synthesist, composer and singer Arushi Jain’s modular explorations are guided by boundless curiosity, and a researcher’s sense of wonder. On her new album for Leaving Records, ‘Delight’, she weaves enchanting vocals, organic instrumentation and elements of Indian classical music into her unique electronic framework, reflecting on love, longing and the nature of beauty. Tara Joshi learns more

“I read this quote the other day that really resonated,” Arushi Jain recounts over a video call. “It was this idea that, without a practice...

ESG logo

When the South Bronx dance-punk outfit ESG released their Martin Hannett-produced debut EP in 1981, they had no idea how pivotal their stripped-back, funk-fueled sound would be on the evolution of hip-hop and house music: ‘UFO’ has been sampled over 500 times; ‘Moody’ was a staple in Larry Levan’s Paradise Garage sets. Four decades later, ahead of their set at Melting Pot & Optimo’s Queen’s Park Spring Weekender, Daniel Dylan Wray tells their story

One day in 1979, a young Renee Scroggins imagined what it would be like if a UFO landed in the housing projects of the South...

After a devastating accident, musician Dax Pierson spent years rehabilitating himself, and working towards a hyper-personal sound. With his latest album, ‘Nerve Bumps (A Queer...

Deep in the manzanita-studded woodlands of Northern California, there’s a scenic resort where gold miners once bathed in restorative mineral springs, and queer hippies sought...