“‘Phelimuncasi’ means ‘you drink whatever you drink with a straw and you finish it’,” Khera, one-third of the South African gqom trio, Phelimuncasi, tells DJ...
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Dirty South sits still long enough to dissect his magnum opus, an album-turned-movie, ‘With You.’
It’s no coincidence Dirty South’s savagely popular 2010 debut record shared the same name as his label, “Phazing.” The 35-year-old’s propensity for making bold changes...
The latest chapter in Howie B's extraordinary musical career sees him heading back underground...
Howie B has often found himself at the frontier. Whether it's been at the Africa Centre as Soul II Soul carved itself its place in...
The second Brighton Music Conference (BMC) is on the horizon...
Dance music is now a multi-million-pound industry, and like with other multi-million-pound industries it needs conferences and trade fairs in order to keep the wheels...
Features
South African gqom trio Phelimuncasi have risen to fame with their politically charged vocals and innovative beats. Makua Adimora catches up with them to learn about their new album ‘Ama Gogela’, their creative process, and why their music is here to entertain and agitate in equal measure
Features
Ploy demonstrates his percussive, pulse-racing and sub-bass-shaking sound for the Recognise mix series, and speaks to Katie Thomas about gradually finding his groove on imprints like L.I.E.S, Hessle Audio and Timedance, and his new label and party, Deaf Test
Features
‘Come With Us’ was the birth point of The Chemical Brothers 2.0, and it came at a vital time, with the dance music slump of the early '00s leaving many big electronic groups looking vulnerable. Here, on the 20th anniversary of the release of the album, Ben Cardew looks back at how 'Come With Us' reinvigorated their career
Features
Lukas Wigflex and the team behind his eponymous party brand have offered the people of Nottingham countless opportunities to let loose over the past decade...
Features
Electronic music's subcultures have been documented by a host of photographers and archivists in the last four decades, and some excellent photobooks have been released...
Features
Coronavirus may have put a stopper on travel to the White Isle for the moment, but that doesn't mean you can't discover the pockets of...
Features
Vinyl is back, but the format comes with a serious environmental cost. As the dance music world attempts to go greener, some companies are working out ways...
Irreverent electronic/instrumental brilliance.
Ready for crazy but cohesive collages of classical strings, bumpy dance beats and leftfield pop hooks? You better be ‘cos Clean Bandit have ambushed the mainstream with their refreshing blast of irreverent electronic/instrumental brilliance. But they aren’t easy to pin down...
Features
After the tragic events of Astroworld Festival last year, Will Pritchard examines the science, politics and history of crowd crushes at mass gatherings, and asks experts how organisers can make future large music events safer
Features
The Avalanches’ debut ‘Since I Left You’ is one of electronic music’s all-time classics, a sample-heavy travelogue which charmed the globe in 2000-01. Then they...
Features
DJ Mag heads to Ghana to explore a rapidly expanding, festival- driven scene that, while rooted on pop and traditional sounds, is beginning to open...
March is an important month in Ghana’s calendar; it’s when the West African country celebrates gaining independence from British colonial rule in 1957. The month...
A guide to dance music's pre-rave past...
We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...