Rashard Bradshaw has always had a thing for the power and the beauty of words. “I loved reading and I loved poetry, just poetry in...
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Results for: Whities
With a mix about to drop in Fabric's celebrated series, DJ Mag joins Alan on the road...
We’re standing behind the booth, staring at an endless sea of Glaswegians bathed in strobes — baying for more. Or that’s what it sounds like...
We got speaking to Kate Simko, Solomun, Nick Curly, Huxley and Will Saul about how they deal with the ups, the downs, the delays, the...
THE FEMALE PERSPECTIVE
Kate Simko
Chicago house heiress Kate Simko has toured as a DJ and with a live show, and explains how life on...
The creepy synth sounds of horror movie soundtracks by Goblin, Fabio Frizzi and John Carpenter have proven hugely influential on modern electronic music. DJ Mag...
But whilst these cheap horror films with their copious sex and violence might not have brought about the nation’s moral decay, they have wormed their...
Barcelona resident and techno don Christian Smith gears up for Sonar... and an almighty hangover.
Espanol
Christian Smith doesn't stay in one place for too long. Maybe it's in his genes: his father was a pilot for German airline Lufthansa...
Features
Cakes Da Killa’s sound is always evolving — and his new LP, the jazz-kissed ‘Black Sheep’, is the latest step in the NYC-based rapper’s musical maturation. Produced alongside his longtime collaborator Sam Katz, it might be his best yet. Bruce Tantum learns more
Features
For three decades, Yen Sung has been at the beating heart of Lisbon’s club scene. As a longstanding resident at Lux and its downtown predecessor Frágil, and as a producer of timeless house tracks, she’s rightly earned her legendary in Portuguese dance music. But as April Clare Welsh learns, she’s busier and more energised than she’s ever been. Alongside a thumping On Cue mix of pure dancefloor energy, she shares her story
Features
Rotterdam's IMANU crafts tracks and DJ sets that do away with genre, choosing instead to surf through styles, tempos and textures with a focus on emotional impact. Alongside a hair-raising Recognise mix, he speaks to Ben Hindle about changing up his production process, taking creative risks, and visualising his sound
Features
Released on 30th January 1989, New Order’s fifth album is a sun-flushed pinnacle of dance rock, directly inspired by the hedonistic energy of Ibiza’s burgeoning club scene of the time. 35 years on, with the help of the album’s engineer Michael Johnson, Ben Cardew reflects on its legacy, and its influence on the acid house era
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33 years after its release in 1989, Larry Heard’s debut album as Mr. Fingers is a profoundly moving document of timeless electronic music, brimming with tracks of unrivaled beauty from the then-young world of house
Features
Unorthodox Events and Queer Rave are two club-nights that are creating new spaces for LGBTQ+ people in the drum & bass/jungle scene. Jack Ramage speaks...
Features
A vital document of music in 2002, ‘As Heard...’s headline-grabbing mixes of well-known tracks helped sneak a handful of underground dance classics into more than...
Features
Jeddah-born, Dublin-based DJ Moving Still records a hi-NRG mix of edits and originals, and speaks to Gabriel Szatan about the thriving network of “Arabic electronic"...
MHYSA’s thought-provoking work looks toward a post-binary, post-male-dominated future. It’s also some of the most atmospheric, beautifully immersive music around
Features
The latest and greatest DJs and producers rising to the top this month. From psychedelic techno and frosty EBM to glimmering experimental pop and club...
Features
Kuedo’s first album, 2011’s ‘Severant’, blended filmic synths with trap beats and provided a blueprint for synthwave artists the world over. But after scoring a Blade Runner animation with Flying Lotus and various other projects, his new record offers a more expansive vision. George Bass quizzes him about avoiding nostalgia, eco-anxiety, and finding the confidence to make his music more emotional