The Criminal Justice and Public Order Act was passed into UK law in November 1994. Infamous for targeting events that played music “wholly or predominantly...
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Nina Kraviz talks about Italo-disco, the RBMA, Detroit, Dance Mania, and her new label трип, as we lift the lid on her remarkable rise top...
When thinking of Siberia you're imagination is more likely to turn to endless tundra than techno clubs, the Russian region, which covers 10 percent of...
Dance Mania transformed Chicago house from its '80s roots to a rough, raw, x-rated version that banged harder than anyone else. Now, after 13 years...
If Live Nation, SFX and Beatport owner Robert Sillerman is hoping to monopolize the world of EDM, then he may just be copying Daft Punk...
Nick Douwma presents his vision with new album ‘Torus’
Although he may take his sweet time to churn out a full length, Nick Douwma - more commonly known as Sub Focus – certainly knows...
The results are in for the DJmag Technology Awards 2007.
It's been another great year for new developments in DJ technology. DJmag's annual Tech Awards honour the companies and products that keep our technology world...
Dub’s influence on dance music stretches back from the earliest shoots of acid house...
“When it comes to music, it’s a small world,” says dub maestro Mad Professor, fresh from a month-long tour of Australia.
“Just take that tune...
1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today
Acid duo Paranoid London new album boasts a beefier sound than ever, and a host of new collaborators. Here, Joe Roberts meets them and learns how a chance meeting, faster tempos and the politics of the moment have shaped their new approach
More and more artists and listeners are discovering the benefits of ambient music to our mental health. Here, Manu Ekanayake speaks to artists Meemo Comma, Auntie Flo, CLAIR and KMRU about its therapeutic qualities, and learns how one NHS neuroscientist, James Kilner, is using it to help people with anxiety and depression
Spiral Tribe were ‘90s Britain’s hardest hardcore techno crew – a travelling party troupe of anti-authoritarian acid-adventurers, and a scourge of the establishment. With co-founder Mark Harrison in the midst of writing a book on their story, and PRSPCT Recordings recently releasing a collection of classic cuts from live Tribe duo R-Zac, Harold Heath dives into their history, legacy and vow to 'Never Stop'
A stalwart of the UK’s dance music community for over 30 years, DJ Billy Nasty was a pioneer of '90s progressive house before launching his techno and electro labels, Tortured and Electrix. A true vinyl devotee, he now runs the Vinyl Curtain record shop in Brighton. Harold Heath meets him in his home town to talk mix CDs, underground dance music history, running labels and the enduring importance of vinyl DJing
During a long stint at home, ODESZA revisited their past to better understand how they arrived at the present. DJ Mag chatted with the Seattle-based duo to learn about the profound discoveries they made and the implications for their art, which they chronicle in their forthcoming studio album, ‘The Last Goodbye’
Keith McIvor and Jonnie Wilkes, aka Optimo (Espacio), have helped define Glasgow’s musical landscape for over two decades with their eclectic and dynamic dancefloor selections. As 2022 marks Optimo’s milestone 25th anniversary, a tour of their home city reveals the ethos behind their inimitable sound
A key artist in UK rap’s second generation, Potter Payper emerged from his most recent stint in prison on a tidal wave of creative energy that...
As dance music’s top-heavy, tour-focused infrastructure crumbles, people across the industry are wondering how new revenue streams can emerge to support artists during and after...
Ageism in the dance music industry is a subject that is being discussed more and more, particularly its impact on employment. But what about its...