Marissa Malik is back on Club Romantico with six tracks that prove nobody does it quite like Manuka Honey. Packed with steely beats and jagged...
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In this series, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their collections. This week, Manuka Honey spotlights disorienting club treats, timeless drone metal, and dizzy, sexy, ethereal dancefloor bangers
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1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today
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Cakes Da Killa’s sound is always evolving — and his new LP, the jazz-kissed ‘Black Sheep’, is the latest step in the NYC-based rapper’s musical maturation. Produced alongside his longtime collaborator Sam Katz, it might be his best yet. Bruce Tantum learns more
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Richie Hawtin is one of the most pioneering artists in electronic music, and a true proponent of techno’s future-focused ideology. As the winner of DJ...
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Bordeaux-based DJ, producer, and label/talent agency owner Anetha is known for her inventive techno tracks and all-encompassing sets, but on her debut album, she’s put her voice front and centre for the first time. Claire Francis speaks to her about celebrating motherhood, platforming new artists, and her love of fashion
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After a devastating accident, musician Dax Pierson spent years rehabilitating himself, and working towards a hyper-personal sound. With his latest album, ‘Nerve Bumps (A Queer...
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After the tragic events of Astroworld Festival last year, Will Pritchard examines the science, politics and history of crowd crushes at mass gatherings, and asks experts how organisers can make future large music events safer
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As the underground drum & bass label celebrates its 20th anniversary, Critical Music founder Kasra records a breakneck mix of tracks from its catalogue, and chats to Jake Hirst about the imprint’s history and constant evolution
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It's been 10 years since seminal club The End closed its doors for the last time. We speak to the family members, close team, and...
We take a look into what people are calling the 'primitive sound'
There's a fresh sound that's bubbling up from the underground to challenge dull dance and ridiculous stadium rave. Influenced equally by the early stirrings of...
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Detroit's DJ Minx has been championing the electronic sounds of her hometown since day one, but has flown under the radar for much of her...
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With a new EP driven by the rave and jungle sounds that first inspired her, and her Batty Bass club-night revived, Hannah Holland is having...
Rewind to the early noughties in London: Turnmills and The End were still in full swing, and Hackney still had a lawless feel with its...
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Global club beats, queer femme energy and Pacific Island identity come together in Lady Shaka’s joyful Recognise mix. Ahead of her appearance at Sónar Festival this month, the DJ and interdisciplinary artist speaks to Anna Cafolla about building connections around the world, uplifting her communities, and her Pasifika club sound
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Progressive house champion Cristoph shows us round his Newcastle haunts, and tells us how his friends and family, and the patronage of Eric Prydz, have...
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1985 Music is one of the most consistently excellent labels in bass music. Helmed by drum & bass maestro Alix Perez, it’s not only survived but thrived since he moved to the other side of the world from its core fanbase, thanks to his laser-focused approach to A&R and design. Here, alongside a mix from Perez, Ben Hindle learns about his winning formula