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The cover of New Order's Technique on a light blue background

Released on 30th January 1989, New Order’s fifth album is a sun-flushed pinnacle of dance rock, directly inspired by the hedonistic energy of Ibiza’s burgeoning club scene of the time. 35 years on, with the help of the album’s engineer Michael Johnson, Ben Cardew reflects on its legacy, and its influence on the acid house era

If you want to understand British music’s generational leap from punk to acid house, there is no better lead than New Order’s ‘Technique’. Released on...

In a few short years, UK drill has changed significantly. After a small number of producers that pioneered the sound left indelible marks on its...

Depending on who you ask, UK drill has two birthdays — when drill came to the UK, and when UK drill began. The first was...

Soundsystem artwork 1

Sound systems have driven the development of music in the UK, powered by hard work, passion and innovation. But preserving UK sound system culture, its knowledge and history, while also pushing it forward, is no easy task today. Ria Hylton traces its path through ska and reggae at blues dances in West Indian households, to soul, boogie, hip-hop and house in ’80s warehouses and at the Notting Hill Carnival, to nationwide tours and global popularity, and finds out how initiatives like the Sound System Futures Programme are seeking to secure its future 

It’s the Thursday before Notting Hill Carnival and Linett Kamala, board director of Europe’s biggest street party, is weaving through the streets of Kilburn. Her...

When Dax J made worldwide headlines last year for dropping an Islamic call to prayer sample during his set in Tunisia, it looked for a minute...

'Public indecency and offending public morality'. Before April last year, those words probably meant about as much to Dax J as his name did to...

 The German producer reflects on his plight to becoming the in-demand DJ he is today and the importance of keeping true to what he most...

 

“Actually, this is one of my most productive years so far.” Thomas Gold smiles broadly into the camera, his face framed by simple, black-rimmed...

Free festival on August 2-3 featuring Moodymann, Kyle Hall, Delano Smith & more

words: REISA SHANAMAN

On August 2nd and 3rd, Detroit will be treated to a unique, unprecedented and totally free event, as Charivari Detroit takes over...

From DJ supergroup to live powerhouse

Face it. Often, the biggest acts in electronic music come at us like bass-dropping wolves. Above & Beyond is the group that bears a unique...

Swiss DJ/producer Deetron has been a fixture of the world's coolest clubs and labels for years. But with a reputation for deadly, wide-ranging DJ sets...

Sam Geiser has had quite a year. After a decade-and-a-half slowly building from the ground up, now everyone wants a piece. Luckily, he's the kind...

The UK drum & bass scene has become overwhelmingly male and white. DJ Mag's Becca Inglis speaks to artists, promoters and label owners who are...

The push to close the “gender play gap” has accelerated this summer. At least 190 festivals have committed to booking 50/50 gender split line–ups by...

plugin subscriptions

As subscription models have begun to make their way into our DAWs, we look at the three different models for using plugins — outright ownership, continual rent, and rent-to-own. Here, Declan McGlynn asks: are subscription models better for producers? And are we heading towards an even heavier onslaught of abundance over efficiency? 

Subscriptions are everywhere, whether we like them or not. In fact, a report ominously titled The End of Ownership in 2020 said that 78% of...

The latest and greatest DJs and producers rising to the top this month. From fiery percussive club music and techno to celestial synths and deep...

Italian-born, London-based Giulia Tess’ genre-defying releases glide between off-kilter techno, dancehall rhythms, leftfield electronica and more. So far, they’ve caught the attention of labels such...

DJ Mag speaks to Young Urban Arts Foundation about their vital work using music and the arts to help young people from hard-to-reach areas

“I can never understand what someone can get out of hurting another with a word or an object / I never knew at a small...

South African-Swiss DJ and producer Nora En Pure has managed to maintain her organic house sound, despite playing some of the biggest commercial venues in...

Daniela Di Lillo is an accidental trailblazer. She is someone who has managed to rise to the top but still play her own brand of...

From his foundational work in drum & bass and jungle as part of 4hero and Reinforced Records, to his myriad production aliases and ongoing work...

Throughout 2020, like so many others, Dego spent months stuck at home. Unable to commit to his normal routine of studio time, he found himself...

Debit

On her new album for Modern Love, Mexican-American producer, DJ and audio engineer Delia Beatriz, aka Debit, combines ancient Mayan wind instruments with machine learning. Ahead of its release, she records a “pre-hispanic to post/transhispanic ambient mix” for the Recognise series, and speaks to Eoin Murray about DJing for Azaelia Banks, her desire to contribute to the canon of electronic music, and making ambient music that goes beyond “beautiful”

Delia Beatriz stands at a unique intersection in electronic music. As Debit, the Monterrey, Mexico-born, New York-based producer, DJ, audio engineer and live artist has...