In this series, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their Bandcamp collections...
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Gelendzhik, Russia-based DNO Records signee Kercha records an hour of deep, atmospheric dubstep for the Fresh Kicks mix series
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In this series, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their Bandcamp collections...
We talk with the worlds number one DJ, Hardwell..
"It definitely changed a lot of things for me!” Holland’s Robbert van de Corput aka Hardwell is talking about being awarded the No.1 spot in...
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Klingande, the talented producer behind one of the hottest summer anthems ‘Jubel’, opens up about adventure, friendship and ‘The Album’ that will finally show the world exactly...
In his own life, Cédric Steinmyller plays two roles. There’s the quiet, observant young man, whose crystal blue eyes peer downward as he speaks. And then there is...
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We spotlight 10 sets at Ultra at the tail-end of Miami Music Week that you definitely cannot skip
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In the early ‘90s, dubplates, exclusive early pressings of unreleased music, fuelled the buzz around DJs in the emergent jungle scene. In an excerpt from...
Francesca Lombardo may have a background in classical, but it’s as a techno and house DJ that she tours the world. Ahead of her debut...
First thrown into the global spotlight in 2011 as Crosstown Rebels’ “first lady”, Francesca Lombardo has, over the last seven years, confirmed her standing in...
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Spanish DJ, producer and ARTCORE label founder Indira Paganotto’s irresistible hybrid of techno and psytrance has made her a huge star on festival stages and in superclubs, but her rise to the top has been beset with challenges. Niamh O’Connor speaks with her about sticking to her principles, her love of psytrance, the importance of the underground, and the balancing influence of family
'Basic Colour Theory' is anything but just another dance album. We sat down with them to find out about the philosophy behind it...
Polish duo Catz 'N Dogz are no strangers to DJ Mag readers. Rising to underground recognition over the past five years through their association with...
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The past few years have seen mental health pushed to the forefront of conversation in electronic music; however, the effects of racism are still not...
Wacom’s Nextbeat 1000 all-in-one DJing device is out to totally transform how DJs work the crowd. But will it please, or is it just a...
Wacom are not your usual DJ kit manufacturer. In fact they are one of the leading lights in the computer tablet and touchpad market so...
Ikonika's back with a fresh electro-funk sound.
Far from retro, she's dragged us into a new digital dimension. We talk pop, reshaping history and optimistic futures with one of the world's most forward-thinking producers...
MCs were often maligned in the early days of drum & bass, but nowadays it's pretty much universally accepted that a renegade mic-spitter is a...
“There is no other music in the world where an MC stands on the stage for an hour and continuously sprays lyrics with such clarity and power over so many frequencies,” Eksman, one of the d&b scene's foremost MCs, tells DJ Mag. “The life and evolution of the drum & bass MC has grown from strength to strength over the years, and I have no doubt that down the line many more great things are in store for the future generation of MCs in our music.” Undoubtedly so. The role of the drum and bass MC has steadily progressed simultaneously with the scene it resides in, although in the early days MCs experienced negativity from some DJs. But the MC has fought for its corner, and now overwhelmingly basks in the same golden glory as the DJ.
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In our new regular feature, Selections, we invite DJs, producers and label heads to dig into their digital crates and share recent additions to their...