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One of the Internet’s most talked-about acronyms — which stands for non-fungible token — is redefining digital ownership. But could NFTs really revolutionise the music...

Most people’s first experience with NFTs most likely happened within the past few months. It was also, most likely, met with confusion. As GIFs of...

Cheeky Bubblers incoming...

BILLY KENNY
Kenny mix it? Yes he can!

Born and bred in Leeds, British producer and DJ Billy Kenny has been kicking up a storm...

Detroit-raised polymath Jimmy Edgar has always stood out as an artist of out-there brilliance. But since starting Ultramajic, alongside Machinedrum and Pilar Zeta, he’s manifested...

"The universe is all about creativity, it's all about learning, it's all about knowledge," Jimmy Edgar ventures when we sit down to talk about Ultramajic...

Paranoid London are on a mission to bring back the rawness of old house, with their skeletal acid tracks and Chicago-influenced beats. We head to...

It’s not just the scorching temperature that’s causing us to sweat, as we wander around the back streets of Hackney trying to locate Paranoid London’s...

Tamsin Embleton was an event booker, promoter and artist manager for ten years before training as a psychotherapist. She's a founding member of the Music...

You’ve been attempting to take a step away from drugs and alcohol, but you have a run of shows coming up where you know you’ll...

In this week’s Fresh Kicks mix, Belfast’s very own Carlton Doom delivers a 60-minute archive of his own productions, in the form of intoxicating breaks...

A copy of Ears To The Ground on a light blue background

In this excerpt from Ears To The Ground: Adventures in Field Recording and Electronic Music, author and DJ Mag contributing editor Ben Murphy explores the use of found sounds in dance music as a means of examining and expressing cultural heritage in our surroundings

At its most cutting edge, dance music is a laboratory of sonic experimentation. Field recordings, foley and samples from the real world have long been...

Crossing over to practically every genre, DJ and dancefloor in 2005, ‘Rej’ is an evergreen classic. Ahead of the 100th release on Innervisions,  Âme discuss...

Few tracks capture the exciting crux and flux of mid-2000s house and techno quite as succinctly as Âme’s ‘Rej’. A palpitating journeyman beacon flashing urgently...

Interview and 'Str8 Killa' review

Freddie Gibbs is for real. Sporting viciously vivid street tales delivered with a rapid-fire flow, this Midwestern spitter is fresh off the UK release of...

A guide to dance music's pre-rave past

A guide to dance music's past

MHYSA’s thought-provoking work looks toward a post-binary, post-male-dominated future. It’s also some of the most atmospheric, beautifully immersive music around

“I am not grappling with notions of identity and representation in my art. I’m grappling with safety and futurity. The black diva is an archetypal...

Buzzin' hardcore classic 'Bus It' by Blapps Posse was a riotous, sampladelic mish-mash of hip-house and rave. DJ Mag talks to its key originators, Aston...

The creepy synth sounds of horror movie soundtracks by Goblin, Fabio Frizzi and John Carpenter have proven hugely influential on modern electronic music. DJ Mag...

But whilst these cheap horror films with their copious sex and violence might not have brought about the nation’s moral decay, they have wormed their...

DJ Mag's new Solid Gold series revisists and examines the ongoing significance and influence of electronic albums throughout history. In this first edition, Ben Cardew...

Motorbass were the gently beating heart of French dance music in the 1990s, the duo’s octopus arms encircling everything positive that would come to pass...

UK producer Will Holland shot to fame as Quantic with a blend of lush electronic beats and fiery Afrobeat rhythms. Then a trip to Colombia...

After years making live funk, reggae and cumbia influenced by his experience there, he's returned to the Quantic moniker and to the world of electronic...