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Objektivity boss is fed up with being known as Mr 'Hey Hey'

“Everyone wants to call dance music EDM these days but I call that shit that’s popular — you know, the cheesy stuff — I call it PDM,” says New York DJ Dennis Ferrer.
“That stuff everyone is going on about, it’s pop dance music. I take offence when someone calls my shit 'EDM' and lumps it in with all the crap. What I do is what I’ve always done, and I don’t like someone calling it anything else.”

We catch up with Digital Delight/Sultry Vibes boss Sishi Rosch

The musical feast that is BPM Festival helped us to catch up with lots of up-coming acts who had been on our radar for some...

Behind the scenes in the Kidsuke studio!

Kidkanevil and Daisuke Tanabe are two young trailblazers who have come together to form Kidsuke, inspired by their shared love of Japanese culture, new technology and kids' toys. DJ Mag spoke to the guys about their new album and subsequent tour, and the difficulties of putting it altogether when living worlds apart…


Drums of Death's time for greatness definitely nigh

Realising that Drums Of Death is not really under a voodoo curse, but actually a good-humoured chap from Scotland, is the grownup equivalent of acknowledging...

Native Instruments’ new compact controller for Traktor, the S2, gives DJs ultimate portability with a sweet-as-candy price

There’s a lot of truth in saying that size doesn’t matter — especially when we’re talking about the new Traktor S2 controller. The boys in...

So many return from Ibiza in desperate need of another holiday just to get over it, but uncover the island's rustic tranquility and you can...


Let's make no mistake, Ibiza is all about the parties, but eventually 36-hour days and enough vodka limons to fill up a bath tub can...

With her contagious effervescence and imaginative foresight, Alison Wonderland is dance music's newest badass on the block. 

 

There is a fine line between trying and doing. Alex Scholler, aka Alison Wonderland, is undoubtedly doing … and on her own terms. Effortlessly cool...

Get To Know: Regularfantasy

Get acquainted with Regularfantasy, the Montreal-based artist producing addictive house music with a pop sparkle

From the outside, it would seem that Olivia Meek, the artist known to DIY dance and pop music aficionados as Regularfantasy, had a more productive...

The drum & bass pioneer talks us through ten tracks on his new ‘Drum & Bass Life’ comp

Goldie’s name has been synonymous with UK jungle and drum & bass practically since their inception. After a difficult childhood in and out of foster...

 Fast-rising purveyor of hard-edged techno, Cressida, steps up with an hour brutal energy and off-kilter rhythms as part of our Fresh Kicks mix series...

In just a short few years, Berlin-based, UK-born DJ/producer Jenagan Sivakumar AKA Cressida has become a vital name to know in Europe’s hard-edged techno sphere...

DJ Mag's new Solid Gold series revisists and examines the ongoing significance and influence of electronic albums throughout history. In this first edition, Ben Cardew...

Motorbass were the gently beating heart of French dance music in the 1990s, the duo’s octopus arms encircling everything positive that would come to pass...

Holding court with one of the UK’s most innovative electronic duos...

“Everything around you is so cluttered. If you go online and look at social media, it’s this big bombardment of stuff. I really wanted to...

Waveform Transmission vol. 1

Released on Tresor in 1992, Jeff Mills' debut LP ‘Waveform Transmission Vol. 1’ is a record that stands for repetition and filth, forged from wrought steel and imbued with scuffed-up funk. Here, 30 years after its release, Ben Cardew takes a deep dive into the sound, origins and legacy of an album that birthed a new breed of techno 

Listen to a lot of older techno today and it sounds rather restrained. Brilliant, yes, and futuristic too, yet largely soft and melodic compared to...

DJ Mag soaks up the atmosphere...

As the curtain falls on the 52nd edition of Southport Weekender, Masters at Work drop Harold Melvin & the Blue Notes ‘Don’t Leave Me...

New world order

Glastonbury isn't a festival, it's a settlement. Twice the size of Bath, it's more like a refugee camp for society's arty and most liberal than...