“THE PIRATES were the only way you could get to hear the jungle stuff,” says Mike Paradinas, aka µ-Ziq, reflecting on the mix of influences...
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Chicago's local authorities are supporting the city's first ever house music festival: DJmag.com interviewed the festival's organisers.
Chicago will host its first house music festival (Move!) in July
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Released in 1997, μ-Ziq’s ‘Lunatic Harness’ mixed jungle and out-there electronica in a way few had heard before. Here, Mike Paradinas talks to Ben Murphy about the influences that went into creating this genre-meshing gem, and his new album 'Magic Pony Ride'
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In DJ Mag's April charts, four artists a select their top 10 tracks of the month, spanning crazy hip-hop mashups, jungle pressure, propulsive house bangers...
Paranoid London are on a mission to bring back the rawness of old house, with their skeletal acid tracks and Chicago-influenced beats. We head to...
Second album 'Vapor City' is a hypnagogic masterpiece...
The idea of a footwork concept album might seem at odds with the stuttering functionality of its Chicago roots, but then Machinedrum, aka US-born Travis Stewart, has always used its 170bpm tempo as a template for more otherworldly experiments.
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The project will encompass a new studio space, academy and workshop programme, and an exhibition series
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From more inclusive dancefloors to world-confronting techno festivals, DJ Mag’s Anna Cafolla speaks to the collectives, crews, and scene stalwarts pushing Poland as a radical clubber’s...
You cannot beat a classic! Especially if played by a live orchestra...
It’s music that stirs the soul, brings a lump to the throat and a tremble to even the stiffest upper lip. For a whole generation...
Timeline and the next generation of talent from Underground Resistance
Debuting the latest incarnation of their ever-evolving live show at this year's Movement festival, Timeline is the next generation of talent from Underground Resistance –...
Baldy DJ Lee Burridge sends us his diary every month. This time he reports from Down Under, where he narrowly avoided getting eaten by a...
I had my heart set on Melbourne as one of the seven locations for 365 in the first year.
I chose it for many different...
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1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today
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In this series, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their collections. This week, They Hate Change spotlight deep Florida breaks and bass, Gulf Coast gold, jam bands, indie, dub and more
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Released on 24th January 1994, Underworld’s third album (and first with DJ Darren Emerson) blended outlandish art-rock ideas with singular takes on house, techno and ambient music. Here, Ben Murphy reflects on its genre-fusing legacy
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The Chemical Brothers' second album, 1997's 'Dig Your Own Hole', radiated ambition and adventure, and was their first to hit No.1 in the UK charts thanks to a string of landmark singles. Here, Ben Cardew explores how 'Dig Your Own Hole' altered the Chems' creative trajectory, predicted our post-genre pop future, and catapulted them to new heights
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Andy Barker was the only ever-present member of 808 State, alongside Graham Massey, the group a crucial component of the UK rave scene since its early days...