Search

Part-German and part-Italian, techno DJ/producer and Aras label owner Andre Galluzzi did try living in London a couple of years ago, but many of his...

Stems are the latest bit of tech designed to change the way DJs and producers play live. But there's been some divided opinion as to...

“Six nominations, no Brits for CD,” sang Craig David at the 2001 Brit Awards. It's a moment that sums up the rollercoaster ride of...

For a man who’s been playing in Ibiza every year since 1984, you might think Carl Cox would be somewhat jaded by the prospect of...

COYU ON HIS LABEL, SUARA
Barcelona native Coyu is a man who’s very much at the vanguard of the Spanish electronic music scene. Since first...

Roger Sanchez has revived his dark house pseudonym from the 1990s — The S-Man. And he's been talking to DJ Mag about his reasons for...

Maxim is best known as the MC from The Prodigy, probably still the biggest and most dangerous electronic act on the goddamn planet. He's the...

Belfast drum & bass auteur Calibre is a true enigma. Prolific, classically-trained, with a melodic, futuristic style all his own, he shuns the limelight. But with a new mix CD for Fabric — his first — in the offing, we're granted a rare audience with one of the most fabled artists in dance music...

You can read our review of BPM 2013 in the March issue of DJ Mag (out 28th February). Here's a preview though; we love it...

In the mid-‘90s, drum & bass was the most futuristic, kick-ass, innovative UK-derived music around. After a gestation period in the underground, breakbeat science exploded into the mainstream, although that led to assorted TV ads and theme tunes and suchlike co-opting a d&b element to them. But because the scene itself was controlled by the DJs — Bryan Gee, Fab & Groove, Goldie, Hype etc — it was able to be steered back underground, so that by the end of the 20th century d&b was largely associated with the dark tech-step sound of No U-Turn et al.

Since launching at the end of 2017, Reprezent Radio resident High Class Filter and Definite Party Material's Ian DPM’s Scuffed Recordings label has been going...

There are few drum & bass labels that can boast a legacy as concrete as that of Metalheadz. There are bigger ones, sure — with...

IT’S often said that behind every hit, there’s a lawsuit. Black Box’s ‘Ride On Time’ is no exception. Loleatta Holoway slammed it for ripping off her...