The Criminal Justice and Public Order Act was passed into UK law in November 1994. Infamous for targeting events that played music “wholly or predominantly...
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Features
1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today
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Trelik at FOLD, Ossia 3rd Birthday, Dusky at Motion...
Ah. Now there's that familiar bump (or maybe violent crash) back to Earth. January rarely makes anyone jump for joy, but fear not; it's the...
This months essential party's
Enough daytime parties to give Ronald McDonald post-traumatic stress, July is the month to disco while al fresco...
Features
Few countries have been as devastated by Covid-19 as India, with recent studies estimating that the death toll has likely exceeded three million, more than...
Features
We run through some of the finest parties on offer during Miami Music Week 2024
DVS1 is a true icon. He may have reached the top of the techno tree by a somewhat circuitous route — involving time spent in...
As brutal techno echoes around Amsterdam’s Warehouse Elementenstraat, DVS1 stands on the DJ booth looking perplexed, rotating the subs that line the railing high above...
Features
The ever-rising DJ and producer takes us on a tour of his beloved hometown...
It’s an unseasonably hot day in London when DJ Mag sets off to meet Theo Kottis. A Scottish producer with a story to tell, Kottis...
Barcelona resident and techno don Christian Smith gears up for Sonar... and an almighty hangover.
Espanol
Christian Smith doesn't stay in one place for too long. Maybe it's in his genes: his father was a pilot for German airline Lufthansa...
The second Brighton Music Conference (BMC) is on the horizon...
Dance music is now a multi-million-pound industry, and like with other multi-million-pound industries it needs conferences and trade fairs in order to keep the wheels...
Dutch DJ/ producer Fedde Le Grand's tips for ADE
He might be best known for putting his “hands up for Detroit” but Dutch producer Fedde Le Grand also holds a torch aloft for Amsterdam...
Features
DJ Mag speaks to the club night’s key figures and plots the history of what may just be the final bastion of the acid house...
Maintaining the perfect blend of old skool rave and the finest contemporary leftfield sounds, as well as attracting one of dance music’s most passionate crowds, this year sees Bang Face celebrate its 10th anniversary.
Features
Over the past few years, against the backdrop of the cost of living crisis and austerity, an energised crop of community-focused collectives, promoters, and venues have emerged in the UK capital. Against some tough odds, they are fighting to keep the city’s electronic music scene not only alive, but thriving. Here, Georgia Mulraine looks at how promoters and partygoers are adapting to this new landscape, adjusting their expectations of what going out looks like and, ultimately, asks: what is the future of London clubbing?
You won't need reminding that, for five days during October, Holland's capital is a swarming hive of clubbing activity — even more so than during...
From bicep-flexing big-room monoliths to achingly cool cats of underground fame, Amsterdam Dance Event has it all and everything in-between. With the many workshops, panel...
From coast-to-coast we have you covered...
Let’s face it, holiday events can be a bit, blah – whether it’s a boring round at a minimally-decorated office with your co-worker’s cringe-worthy drunkenness...
We catch up with the hardest working man in dance to talk his rise to fame, his Revealed Recordings label and his bid for world...
“After I do a gig, if I’m in a party mood, it’s my tour manager’s job to remind me that this is my job,” says 25-year-old megastar DJ Hardwell. “Even though when I DJ and travel it doesn’t feel like a job. It feels like a dream come true.”