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As dance music’s top-heavy, tour-focused infrastructure crumbles, people across the industry are wondering how new revenue streams can emerge to support artists during and after...

It’s been four months since COVID-19 sent dancers into deep freeze. With no sign of a vaccine, the suspicion is that clubs will stay closed...

Each month, DJ Mag UK's fashion editor Amy Fielding catches up with some of our favourite artists to talk about all things style. Check out...

Brixton-based DJ NAINA has been a host on Reprezent 107.3FM for the best part of a decade, and a presenter for Beats 1 radio for...

Joy Orbison's debut, 'Hyph Mngo', is 10 years old. DJ Mag reflects on a track that signalled a seismic shift in UK dance music

“Big, big, big.” It’s June 25th 2009, and one hour into his still-pirate Rinse FM show, Blackdown is jittery. An unmastered new track is drifting...

The Covid-19 crisis has thrown up many problems for the manufacturing and distribution of vinyl. Bruce Tantum speaks to a selection of record shops, labels...

Most vinyl consumers probably never think about the path that their favourite new record has travelled. They scan the wall of their local shop or...

Across South-East Asia, a new generation of rappers is emerging. Drawing on the explosion of US trap and contemporary hip-hop sonics, and creating new flows...

Indonesian rapper and producer Ramengvrl makes trap music with a twist. Her skeletal beats feel alive, somehow: squishing, chiming, and bouncing around, as her staccato...

Phelimuncasi

South African gqom trio Phelimuncasi have risen to fame with their politically charged vocals and innovative beats. Makua Adimora catches up with them to learn about their new album ‘Ama Gogela’, their creative process, and why their music is here to entertain and agitate in equal measure

“‘Phelimuncasi’ means ‘you drink whatever you drink with a straw and you finish it’,” Khera, one-third of the South African gqom trio, Phelimuncasi, tells DJ...

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As dance music culture recovers from the pandemic, artists like Klein, Clark and Afrodeutsche are opening up new frontiers for themselves

“The expectations on musicians are higher than they’ve ever been,” says Chris Clark. “And the payoff is lower than it’s ever been.”The producer and composer...

Fresh from playing our DJ Mag Sessions party in London at the end of September, house jock Andrea Oliva is the latest DJ to do...

Andrea Oliva was born and bred in Switzerland to Italian parents. And yes, he does often get confused for a member of the fairer sex...

Online DJ mixes may be disposable but Rotterdam techno stalwart Speedy J reckons they’re worth more than that

Online DJ mixes may be disposable but Rotterdam techno stalwart Speedy J reckons they’re worth more than that, which is why he’s putting out an...

A Basement, a Red Light District and a Feeling

DJ Mag hit the Amsterdam Dance Event where the Dutch spirit of libertarianism has helped turn it's DJs, producers and clubs into a world beating force...

After almost 30 years — minus a couple of splits — operating as Orbital, Paul and Phil Hartnoll are back with their first studio album...

Orbital are back. Hooray! One of the most important electronic bands of the last 30 years have split a couple of times over the years...

If anyone knows how to throw a party for WMC it's Robbie Rivera, whose Nikki Beach partyathon is one of the juiciest gigs during conference...


Track by track


Robbie guides us through the tracks he's selected for this issue's covermount CD…





1. Robbie Rivera The Hum Melody


"'The...

Ever since the revelations in Hollywood about film producer Harvey Weinstein, and the subsequent #MeToo stories of sexual misconduct, the dance music world has been...

THE DJ
“To be honest, it’s easier to come up with a time something sexist DIDN’T happen. There are so many instances I don’t know...

Independent record labels are thriving by adapting to new models and branching out into management, distribution, publishing and clothing. DJ Mag finds out more...

If there’s any sector in dance music that has had to be genuinely run ‘for the love’ and ferociously adapt to survive the music industry’s...