Recently I've had several people ask me about my process for ripping vinyl. As a DJ and record collector who LOVES vinyl but HATES carrying...
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San Fran-based DJ and producer Chrissy outlines his guide for ripping vinyl so they sound full, loud and powerful on a club system. With tips and tricks around needles, preamps, turntables, software and file formats, it's a go-to guide for anyone who wants to digitise their record collection
Ageism in the dance music industry is a subject that is being discussed more and more, particularly its impact on employment. But what about its...
From more inclusive dancefloors to world-confronting techno festivals, DJ Mag’s Anna Cafolla speaks to the collectives, crews, and scene stalwarts pushing Poland as a radical clubber’s...
Two generations of Black women speak about their experiences in dance music
As we enter a new decade, the ways in which we define electronic music styles are rapidly changing. Chal Ravens explores the etymological evolution of...
In this series, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their collections. This week, Wordcolour spotlights polyrhythmic club music, microtonal synths, rave edits and more
Ivorian DJ, producer and visual artist Asna records a two-hour mix heart-racing percussion and global club rhythms for the Fresh Kicks series, and speaks to Kamila Rymajdo about collaboration and her limitless creative vision
Analysing the key trends from the voting in this year's DJ Mag Top 100 DJs poll, in aid of Unicef
Josh Wink has been dominating clubs and festivals as a DJ, producer, label-runner and remixer for almost 30 years. Alongside long-term friend and fellow Philadelphian...
Is dance music suffocating under a wave of beige productions or are we just jaded? Harold Heath argues that artists need to take more risks...
The kick-drum drops out, reach towards the ceiling, the air is filled with whoops and whistles. Then a long whoosh of white noise simultaneously builds the...
For DJs with a packed touring schedule, gigging at one iconic club after another, finding the time to sit down in the studio can be nearly impossible. But when Kerri Chandler wanted to work on a long-delayed album, he hit on a solution: he’d transform those clubs into temporary studios, creating tracks attuned to each space. The result is ‘Spaces And Places’, and it’s some of his best work yet
The fierce LGBTQ+ party Trade was the UK’s first legal after-hours club event, opening at 3am and closing at 9am. It laid the groundwork for a new on-and-on party culture, while its sexual and gender diversity was a forerunner for today’s queer club scene. As it celebrates its 30th anniversary, and prepares for its 24-hour birthday party at Egg London, Joe Roberts speaks to some of its regular DJs, designers and founder Laurence Malice about Trade's boundary-breaking legacy
We meet futurist techno maestro Richie Hawtin for our ADE issue...
Electronic music’s explosion owes a great deal to futurist techno maestro Richie Hawtin. Not only has he made and played some of the most forward-thinking...
It's time to wipe the slate clean, sort of. The champagne is on ice, the days have been booked off work. All you need to...
While 2019 refuses to go quiet into that good night — check this month’s top UK club picks for proof — some of us have...