Los Angeles’ ESP Institute has delivered over 120 releases since its inception 14 years ago – an impressive feat for a label that remains fiercely...
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Leftfield beatsmith on his his funky new library compilation.
You know how it is. That epic, hip-hop crime drama series you’ve been directing is almost finished. But you just can’t find the right track...
Audiophiles unite
Despacio is the new project from DFA and LCD head honcho James Murphy, with more than a little help from his DJing buddies the Dewaele...
From career triumphs to personal tragedies, his time has truly come
Mr G has led a tempestuous life with as many career triumphs as personal tragedies. From his roots in early UK housers KCC to techno years with The Advent, he's been an intrinsic link in dance music's evolution. And after all the tribulations, with a career retrospective for Rekids and more popularity than ever, it could be his time has truly come...
Celebrating twenty years at Radio 1
It's almost impossible to imagine the changes in dance music that Pete Tong has seen since he first stepped up to the decks as a...
We pick the brains of the Berlin-based tech producer, TJ Hertz...
Objekt is TJ Hertz — a Berlin-dwelling producer who's gained notoriety with a series of carefully crafted dancefloor focused 12s for a select group of...
100 years of electronic music
In March 1913 Luigi Russolo, the Italian futurist, stormed out of a classical concert in Milan and published an open letter demanding a new form of modern music.
Continuing the legacy of his Lovefingers blog, Andrew Hogge’s ESP Institute is a truly anything-goes imprint, unbound by genre or style. Alongside a mix from its catalogue, he tells Anna Wall about how how his DIY attitude and digger’s mentality has helped him unearth countless new musical gems
Brooding and austere, Richie Hawtin’s third album under the Plastikman alias is a minimalist masterwork
Having made his name as a key figure in the bassline and drum & bass collective CruCast, Bru-C is now pushing himself further with a signing to the UK wing of iconic hip-hop label Def Jam. He talks to DJ Mag about the importance of keeping it real
Ploy demonstrates his percussive, pulse-racing and sub-bass-shaking sound for the Recognise mix series, and speaks to Katie Thomas about gradually finding his groove on imprints like L.I.E.S, Hessle Audio and Timedance, and his new label and party, Deaf Test
On her new album, ‘infina ad nausea’, Brooklyn's QRTR blends multi-layered melodies with club-ready beats, from house and techno to UKG and jungle. Ahead of her set at DJ Mag's Miami Pool Party this week, she chats to Ben Murphy about her distinctively trippy sound, her famous feline friend, ambientkitty, and the busy festival season ahead of her
Though a clear reflection of his taste in music, Newcastle’s Me Me Me label isn’t all about its founder, Man Power. Alongside a mix from its hard-to-define and easy-to-love catalogue, the DJ and producer tells Kristan J Caryl about the imprint’s focus on bringing artists together
Leeds-based rapper ATO uses music to reflect on his life and show an alternative side to the London-centric perception of Black Britishness. Ahead of his...
Hackney-based Nervous Horizon has established itself as one of the most exciting and forward-thinking club labels in London. For this month’s The Sound Of, two...
Ariel Zetina’s DJ sets and productions have earned her a residency at Chicago's legendary Smart Bar, and seen her release EPs on labels like itsfemmeculture...