“From 1998 to 2005 we had seven years of glory, then nobody wanted to be a DJ in hard house,” admits Amadeus Mozart, one half...
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Features
The Tidy Boys and their label Tidy Trax epitomised the early ‘00s hard house scene, at one point selling a million records a year. As...
Features
The Avalanches’ debut ‘Since I Left You’ is one of electronic music’s all-time classics, a sample-heavy travelogue which charmed the globe in 2000-01. Then they...
Features
UK drill videos have played a crucial role in the sound's meteoric rise, with platforms like Mixtape Madness, Link Up TV, SBTV, and Pressplay Media...
Features
It’s true that house music would still exist if Marshall Jefferson hadn’t been around to guide it — but it’s equally correct to say that without Jefferson...
Cover Features
Stefan Kozalla is many things to many people: co-owner of an acclaimed label, production enigma and true free spirit. DJ Mag caught up with him...
It makes sense that DJ Mag has landed in Barcelona to meet DJ Koze. It’s a city where the abstract and traditional happily co-exist, where...
Features
Black-owned music organisations, radio stations and record labels are helping to create vital platforms for Black producers and DJs who’ve been held back by systemic...
Features
Through her radio shows, DJ sets, parties and records, Colleen ‘Cosmo’ Murphy has encouraged dancers and listeners to enjoy the details and synchronicities of music. DJ Mag’s Anna Wall meets...
Features
The latest and greatest DJs and producers rising to the top this month. From soulful house and industrial techno to razor sharp rhythms and organ...
Tech
We go behind the scenes of Laurence Guy's live show, set-up and performance approach
DVS1 is a true icon. He may have reached the top of the techno tree by a somewhat circuitous route — involving time spent in...
As brutal techno echoes around Amsterdam’s Warehouse Elementenstraat, DVS1 stands on the DJ booth looking perplexed, rotating the subs that line the railing high above...
Features
1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today
Features
The worlds of computer gaming and electronic music are merging like never before, with virtual raves, AI-generated musicians and concerts inside massive multiplayers like Fortnite...
Tracing the journey of the d&b kid from the Midlands...
Goldie is back with an amazing new album. And not just any old album either. Hugely ambitious in breadth and scope, 'The Journey Man' is...
Features
Over the past three years, the name RIOT CODE has become synonymous with a strain of hard, fast techno, landing on labels like Noise Manifesto, HOMAGE and NineTimesNine and hammered out at parties like Teletech. Formerly a duo, the Derry-based project is now an individual venture for Oliver Grant, who’s ready to lift the trademark mask and take things to the next level. Alongside a storming Recognise mix that capture’s RIOT CODE’s past, present and future sounds, he speaks to Olivia Stock about going solo, navigating the techno scene as a trans artist, and what the future holds
Features
The latest and greatest DJs and producers rising to the top this month. From stomping techno and jazzy breaks to experimental reggaetón and melodic house, here's February 2022's list of upcoming talent you should be keeping track of