This was the year many dance music scenes, industries and communities started to claw back everything that was lost in 2020. Elusive and secretive UK...
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It’s 2017 and techno is bigger than ever. It’s a statement that could, of course, be applied to dance music overall, but this year has...
Charlotte de Witte has shot into techno’s upper echelons since assuming her real name for her productions and DJ slots. Initially using the male-sounding alias...
It’s 2017 and techno is bigger than ever. It’s a statement that could, of course, be applied to dance music overall, but this year...
We've switched up our end-of-year coverage this year. Instead of ranked countdowns, we've asked 40 contributors to pick their favourite albums, tracks and compilations from...
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Over the past three years, the name RIOT CODE has become synonymous with a strain of hard, fast techno, landing on labels like Noise Manifesto, HOMAGE and NineTimesNine and hammered out at parties like Teletech. Formerly a duo, the Derry-based project is now an individual venture for Oliver Grant, who’s ready to lift the trademark mask and take things to the next level. Alongside a storming Recognise mix that capture’s RIOT CODE’s past, present and future sounds, he speaks to Olivia Stock about going solo, navigating the techno scene as a trans artist, and what the future holds
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South London-based Warlock has been DJing since 1989, and has watched the UK scene evolve through countless phases. He’s taken that history with him, but as Ben Hindle discovers, he is driven by a dedication to the new. His On Cue mix goes from 130 - 210 BPM, and demonstrates his genre-mashing sound
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Kuedo’s first album, 2011’s ‘Severant’, blended filmic synths with trap beats and provided a blueprint for synthwave artists the world over. But after scoring a Blade Runner animation with Flying Lotus and various other projects, his new record offers a more expansive vision. George Bass quizzes him about avoiding nostalgia, eco-anxiety, and finding the confidence to make his music more emotional
Arriving in Miami means a lot to our cover star Eric Prydz – for more than one reason. The man who effortlessly makes underground house...
Going to Miami is a very big deal for Eric Prydz. Two years ago, the last time he was there, his massive track 'Pjanoo' became...
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German DJ and musician Lena Willikens is proud to be an outsider, and her leftfield approach to dance music, art and noise resonates with followers...
Lena Willikens has always been an outsider. Born in the south-west German city of Stuttgart to a Hungarian architect mother and an artist father, formative...
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Manchester-based DJ Paulette — pivotal in several of the most significant moments in European electronic music history — has won this year’s Lifetime Achievement award
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Ibiza played a central role in spreading a new take on trance around the turn of the millennium — a more soothing vein of the sound that captures the mood of a Mediterranean sunset. As clubs in Ibiza are opening again for the first time since 2019 due to the Covid-19 pandemic, DJ Mag dives into the roots of a genre that was inspired and shaped by the island’s unique appeal: Balearic trance
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Ahead of his first ever shows as pioneering Detroit electro unit Cybotron, techno innovator Juan Atkins tells us why he’s revisiting his past — and...
Juan Atkins has always been, in his own words, “a music lover”. Growing up in Detroit, he would treat his parents’ dinner parties as an...
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California
“Dreaming Of A White Wonderland”
Already sick of the overplayed tune “Winter Wonderland” playing overhead at every store you did your holiday shopping...
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One of the first legal UK mega-raves to bring dance music culture to the masses was Fantazia. With its emphasis on spending big production budgets...
Raw beats and sub-low rumbles mixed with sugary melodies are DJ Q's calling card.
Ten years ago, DJ Q released his first 12”, 'Love Like This'. The track was a bassline stomper, a grimy slab of sub-low and brutal...
Morgan Geist returns to his original house music inspiration.
Best known as one half of nu disco/deep house duo Metro Area, Morgan Geist's new moniker — Storm Queen — is about to have a bona-fide chart hit with the previously released 'Look Right Through'. The track has had a long gestation period: produced with singer Damon C. Scott, who shot to prominence for being filmed singing on the NYC subway, it was signed to Defected at the end of last year and the MK dub became an anthem in Ibiza and at many festivals over the summer just gone.