It’s been four months since COVID-19 sent dancers into deep freeze. With no sign of a vaccine, the suspicion is that clubs will stay closed...
Search
Results for: live music
DJ Yoda & Mr Thing this Thursday!
This month's DJ Mag Live Video Podcast is going to be an altogether different affair. In past instalments we have given you bass music courtesy...
Scuba eschewed EDM light shows for a cooler retinal and aural extravaganza
Live dance music has got a pretty chequered heritage. Inevitably when Scuba decided to make the switch from DJing to presenting his tracks as a...
Simon Green's downtempo electronic act has morphed into an upbeat live behemoth...
WHAT exactly constitutes a live show will always be a source of endless discussion in underground dance circles. We’ve all seen a dude up onstage...
Top producer's must have kit
"I can't live without my Blackberry Voice Notes Recorder. I don't need to use it, I've got good microphones, and a little handheld digital recorder that I could record things on. And, actually, even the built-in mic on my laptop is probably better quality than my phone, but more and more, I find myself putting a few loops that I've recorded on the shitty, built-in voice recorder into a track, and realising that they make the track, bring it together somehow.
And all new Push Controller
Not one but two reasons for Ableton users to be cheerful have been announced from the company’s German headquarters in the form of Live 9 along with a rather intriguing controller called Push. Not content with just improving their hugely popular Live software, for their latest incarnation, Ableton have also found the time to get teamed up with Akai to create a new Push controller specifically to control Ableton. It looks like they might have created the perfect Ableton controller in the process.
@ Plastic People: 25 March
Down grimy Curtain Road, there's a massive queue leading up to a dingy little door bookended by two huge bouncers. This is Plastic People, the...
<p><a href="http://ow.ly/zNsz3" target="_blank">FREE COURSE SAMPLES CLICK HERE</a></p>
Point Blank Music School have a brand new course called Mixing Dance Music in Ableton. It’s all about applying classic and fundamental mixing and...
EPM Music give us the low down in this month's vital label
Who’s behind it?
Jonas Stone and Oliver Way, aka Mr O from the Detroit Grand Pubahs. EPM as a label was started in January 2011...
DJ Mag investigates the cynical money-making practice of digital music piracy...
Music piracy used to be a bit of home-taping of the Top 40 chart off the radio, or some guys selling illegal live bootleg tapes...
Features
As dance music’s top-heavy, tour-focused infrastructure crumbles, people across the industry are wondering how new revenue streams can emerge to support artists during and after...
Chicago's local authorities are supporting the city's first ever house music festival: DJmag.com interviewed the festival's organisers.
Chicago will host its first house music festival (Move!) in July
Thievery Corporation return with ‘Saudade,’ an ode to music's ability to wring beauty from sadness...
Thievery Corporation resides on opposite sides of the North American continent. The duo’s Eric Hilton remains in its original home of Washington DC while the...
FREE PLUGINS, SOUNDS AND ONLINE COURSES
While there are no shortcuts when it comes to a great mix, the modern production environments have certainly made it easier for us to make...
Opinion
Gobstopper Records head, Mr. Mitch, discusses Black experiences, the white gaze and his decisions as a label boss
News
The release signals "a new wave of happier, more optimistic productions" from the London artist