In 2012 Japan hosted the Club World Cup, where the winners of that year’s Champions League played the winners of equivalent tournaments from every continent...
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After discovering videos of rapid-fire MCs spitting in Portuguese over baile funk-flavoured beats, London DJ and Butterz co-founder Elijah linked up with Brazilian artists CESRV...
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Some high-profile DJs have been criticised for playing big, crowded legal shows — dubbed ‘Plague Raves’ — in Europe during the COVID-19 crisis. Some have...
We met him in London to talk about his dance epiphany, the importance of staying true to your vision, and giving his fans what they...
“Everything I do, I see myself as a bit of an outsider, I'm not strictly within the dance music world, I'm not strictly within the...
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In the midst of the ruinous Thatcher era, Manchester’s Hulme Crescents estate became a haven for squatters, anarchists and acid house ravers, who converged in the hedonistic flat-turned-studio and after-hours club, The Kitchen. Kemi Alemoru speaks to former residents, DJs and familiar guests from the Madchester scene about the lasting impact this space had on the city’s cultural landscape
Why are masks so popular in dance music?
“All great things must first wear terrifying and monstrous masks, in order to inscribe themselves on the hearts of humanity.” FRIEDRICH NIETZSCHE, Beyond Good and Evil...
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Dance music has a mental health problem. Sirin Kale speaks to artists such as Luciano, Courtesy and Marie Davidson, as well as some PRs and...
Features
Growth of the festival industry shows no sign of slowing, but the sector faces more issues than ever before. Emissions and waste need urgent attention...
Features
In a few short years, UK drill has changed significantly. After a small number of producers that pioneered the sound left indelible marks on its...
Arriving in Miami means a lot to our cover star Eric Prydz – for more than one reason. The man who effortlessly makes underground house...
Going to Miami is a very big deal for Eric Prydz. Two years ago, the last time he was there, his massive track 'Pjanoo' became...
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Over the past few years, against the backdrop of the cost of living crisis and austerity, an energised crop of community-focused collectives, promoters, and venues have emerged in the UK capital. Against some tough odds, they are fighting to keep the city’s electronic music scene not only alive, but thriving. Here, Georgia Mulraine looks at how promoters and partygoers are adapting to this new landscape, adjusting their expectations of what going out looks like and, ultimately, asks: what is the future of London clubbing?
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It's been 10 years since seminal club The End closed its doors for the last time. We speak to the family members, close team, and...
When is a band not a band? We aim to find out...
When is a band not a band? When it’s one or two electronic music producers recording albums that sound like bands? The dividing line between...
We meet the Leeds man in London to talk about hardcore history, subliminal messages and breaking free of genre constrictions — and much more...
Reinvention is a tough gig. But if you get it right, a whole new life is possible. No one in dance music's managed this more...
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Caught between the demands of being an internationally-renowned performer and his desire for a quiet life, Australian producer Flume found balance upon returning to his homeland. Amongst nature, and with a restored sense of wellbeing, he completed his most ambitious album to date, 'Palaces'. Megan Venzin learns its story
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Acid duo Paranoid London new album boasts a beefier sound than ever, and a host of new collaborators. Here, Joe Roberts meets them and learns how a chance meeting, faster tempos and the politics of the moment have shaped their new approach