When Hanoian punk band Cút Lộn stormed the stage at Ho Chi Minh City club Arcan last June, a mosh-pit ensued. Red light bathed the...
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Dark horse Noir is entering the limelight. We got in touch to find out more...
Rene Kristensen aka Noir has a reputation for being incredibly chilled out, and he's not entirely sure why. But it could have something to do...
From career triumphs to personal tragedies, his time has truly come
Mr G has led a tempestuous life with as many career triumphs as personal tragedies. From his roots in early UK housers KCC to techno years with The Advent, he's been an intrinsic link in dance music's evolution. And after all the tribulations, with a career retrospective for Rekids and more popularity than ever, it could be his time has truly come...
Georgina Quach discovers how Saigon crew Nhạc Gãy's homegrown sound, queer-friendly ethos and raucous raves are an antidote to tourist-centric nightlife in Vietnam
We go behind the scenes of Laurence Guy's live show, set-up and performance approach
At Portugal’s Semibreve festival, we sat down with Suzanne Ciani, a pioneer of electronic music and modular synthesis, and dance music disruptor Rian Treanor, who...
Founded by Bristol DJ/producer Yushh in 2019, Pressure Dome’s focus on emerging talent and varied compilations has made it a key force in pushing UK club music to new heights. Here, alongside a mix from its catalogue, Oli Warwick learns more
‘Come With Us’ was the birth point of The Chemical Brothers 2.0, and it came at a vital time, with the dance music slump of the early '00s leaving many big electronic groups looking vulnerable. Here, on the 20th anniversary of the release of the album, Ben Cardew looks back at how 'Come With Us' reinvigorated their career
Over the past three years, the name RIOT CODE has become synonymous with a strain of hard, fast techno, landing on labels like Noise Manifesto, HOMAGE and NineTimesNine and hammered out at parties like Teletech. Formerly a duo, the Derry-based project is now an individual venture for Oliver Grant, who’s ready to lift the trademark mask and take things to the next level. Alongside a storming Recognise mix that capture’s RIOT CODE’s past, present and future sounds, he speaks to Olivia Stock about going solo, navigating the techno scene as a trans artist, and what the future holds
With just the touch of a piano key, Kygo is trailblazing a diversion in dance music with his tropical house vibe and infectious hits that...
It's no coincidence Kyrre means "peaceful" in Norwegian. The given name of tropical house star Kygo, he maintains a seasoned calmness far beyond his years...
Karim Molyneux-Berry has outlined his experiences of racism and harassment from colleagues at the Berlin club
A former PR manager for Berlin's Salon Zur Wilden Renate has detailed his experience of racism and harassment from colleagues while working at the club. ...
The creative trajectory of Porter Robinson has seen the American producer weave through diverse genres and challenging sounds. DJ Mag chronicles the pivotal moments and...
At age 26, Porter Robinson already stands as one of America’s greatest, most ambitious producers of his generation. From his humble beginnings as a self-taught...
We're digging the psychedelic hip-hop and dub funk vibes of Mauritian-English Mo Kolours...
“I think with electronic music and modern day ideas about mastering and all these processes, people want to get rid of the background noise and...
This is the world's first truly integrated audio visual mixer for DJs, but it's only available to the elite, loaded few.
Pioneer like leading the path and they've done it again with the SVM-1000 and now DJing will never be the same again. The SVM-1000 enables...
Defected's Danish DJ Noir runs Noir Music. We got in touch...
Rene Kristensen aka Noir has a reputation for being incredibly chilled out, and he's not entirely sure why. But it could have something to do...
Turntablist NikNak has a unique style, cutting and scratching field recordings and samples into ambient tracks — but her latest album finds her leaning into the dance music you might hear in one of her club sets. Ben Murphy speaks to her about Afrofuturist sci-fi, trip-hop, pop, and why she loves found sounds