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We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...

We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...

Richard H. Kirk, the electronic musician best known as founder of pioneering industrial group Cabaret Voltaire has died, aged 65.

The news was confirmed in...

Kelli Hand, also known as K-Hand — one of the most important pioneers of Detroit techno — has died. Her passing was confirmed by friends...

This year's Boardmasters looks set to be the finest yet, a celebration of all things surf, sun (assuming the UK heatwave continues) and serious tunes...

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Berlin’s Santé emerged as part of a wave of new producers with a different cut to their electronic jib...

As the 'EDM' tidal wave continues to crash over The States, the club scenes of America's major cities are rightfully reaping the benefits. Seattle is no exception. Increasingly, cool after-parties playing house and techno are capturing the imagination of the city's young adults and large-scale dance events are cropping up left, right and centre. 
One festival, however, has been bringing eclectic dance sounds to the largest city in the Pacific Northwest since 2004.

Whether as Lionrock, The Prankster, Revtone or most recently The Deadstock 33s ('Underneath The Pines' out this month), Justin Robertson has been making his mark on dance music since his Manchester uni years. The man behind Most Excellent at The Haçienda during the early '90s and a Bugged Out! resident since the beginning — and still now — these days you'll catch him sporting sailor stripes, a twisted moustache and a tweed jacket at any number of trendy jaunts across the capital most weekends, either in the booth or in the thick of the dancefloor.

In 2012 it seems that Fabric’s biggest competitor has been the new phenomenon of ‘TBA’. From overground electro to underground techno parties, promoters in the capital have been looking to keep their parties fresh by exploring as many unused venues as possible and simply listing them as To Be Announced right up until the last minute.

Following the success of Flux Pavilion’s remix of their ‘Cracks’, the Freestylers were pleasantly surprised when Flux hopped on another track, this time as a...