Few tracks capture the exciting crux and flux of mid-2000s house and techno quite as succinctly as Âme’s ‘Rej’. A palpitating journeyman beacon flashing urgently...
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The Andy Warhol of dance music and self-proclaimed Mayor of Williamsburg, Larry Tee injects attitude into electro-house with his new album
Cruising over the Brooklyn Bridge away from Manhattan’s lofty skyscrapers and towards his home in Williamsburg, Larry Tee and his entourage are discussing an important...
The unmissable parties that you need on your radar!
It’s back. America's most important electronic music gathering is returning to South Beach in Miami. The Winter Music Conference 2013 (and its wider nomenclature Miami Music Week) will be host to the industry's hot shots — the DJs, producers, promoters and label owners pulling the strings of this international emporium we call dance music — their arms (and minds) wide open to another onslaught of Miami madness.
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Crossing over to practically every genre, DJ and dancefloor in 2005, ‘Rej’ is an evergreen classic. Ahead of the 100th release on Innervisions, Âme discuss...
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Amidst the horrors of russia's war on Ukraine, local DJs, producers and music professionals have had their lives ripped apart, but many have passionately continued their work at home and abroad, using their experience to provide funds and direct aid to causes on the ground. Here, Tanya Voytko talks to artists from across the country about their personal experiences over the past six months, and to learn how they’re striving to preserve and promote their rich and diverse electronic music culture
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Sticky Tapes, eott and Don’t Keep Hush tell Jack Ramage how they’re helping to shift perceptions around wellbeing in dance music
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After reflecting on how we can tackle the issues within the electronic music industry as a publication, we deliver our pledge to you, presenting significant...
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Driven by an inquisitive nature and an unshakeable love for the dancefloor, deep house innovator Powder is taking her passionate eclecticism beyond the cities of...
Listening to Powder is like watching a synchronised swim routine. Agile, rhythmic movements appear as organic as they do complex, her sound as exhilarating as...
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Jungle pioneer M-Beat made some of the genre’s biggest chart hits, but disappeared from the industry in 1996. Having gone through hardships and been widely...
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There’s a growing culture in dance music, known as 'flipping', where unscrupulous Discogs sellers inflate the cost of rare records to extortionate amounts. We investigate...
In September 2018, hardcore archivist label Ninety Two Retro released a double-12” comprising six tracks and versions from 1992 by Mystery Man and 1st Prodject...
S'Express 'Theme From S'Express' (Rhythm King)
Mark Moore grew up in London and got into music at a young age. After his mother, who uprooted from South Korea after the Korean...
Nina Kraviz talks about Italo-disco, the RBMA, Detroit, Dance Mania, and her new label трип, as we lift the lid on her remarkable rise top...
When thinking of Siberia you're imagination is more likely to turn to endless tundra than techno clubs, the Russian region, which covers 10 percent of...
When is a band not a band? We aim to find out...
When is a band not a band? When it’s one or two electronic music producers recording albums that sound like bands? The dividing line between...
The undiluted opinions of Kris Wadsworth
Raised in Detroit but currently residing in "Uranus", Kris Wadsworth has been scrapping away for some time now, hitting big with releases for the likes...
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After four-plus decades of DJing and with a incredible list of releases — much of it produced with longtime partner Kenny “Dope” Gonzalez as Masters At Work — the pioneering Louie Vega would seem to have little to prove. Yet he’s working harder than ever, with the same energy he had as a young kid coming up in the Bronx. In the run-up to his date at DJ Mag’s Miami Pool Party 2024 at the Sagamore Hotel on March 20th, Vega took some time out of his hectic schedule to talk about how he got to where he is today
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Turntablist NikNak has a unique style, cutting and scratching field recordings and samples into ambient tracks — but her latest album finds her leaning into the dance music you might hear in one of her club sets. Ben Murphy speaks to her about Afrofuturist sci-fi, trip-hop, pop, and why she loves found sounds