Lukas Ruiz grew up in Mundo Novo, a tiny municipality with under 20,000 inhabitants, right on Brazil’s border with Paraguay. His mum had always told...
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There's a new techno sound echoing from the post-industrial streets of one of the UK's biggest conurbations. Influenced by Berlin and Detroit, Manchester's young producers...
Our personal geography is one of the formative things about us. Our immediate surroundings and the people that surround us are our most important influencers...
London producer Swindle draws on assorted jazz, hip-hop, funk and dubstep influences in his great new album 'Long Live The Jazz'.
“I know what you mean, like on ‘Forest Funk’. I played that guitar! I just do what feels right. I mean, I’ve grown up around great music, especially jazz and funk and of course drum & bass, garage and everything else. I just like to play around. I’ll play with any instrument that I can get my hands on. A little bit of madness. I like to try and get my head working crazy, to make crazy music.”
Vintage Culture has come a long way from a small town in Brazil to playing stadiums, topping dance charts and partying with football royalty. After suffering near-burnout from constant touring, he’s recharged and full of vitality, with a deeper sound he loves with all his heart, hundreds of tunes ready to go, Ibiza and Las Vegas residencies scheduled, and a set lined up at DJ Mag's Miami Pool Party
The results are in for the DJmag Technology Awards 2007.
It's been another great year for new developments in DJ technology. DJmag's annual Tech Awards honour the companies and products that keep our technology world...
Two decades since they realised their destinies lay in music and DJing, NYC-based twins, Analog Soul, demonstrate their expansive and funk-filled sound for the Recognise mix series, and share their journey with Ria Hylton
Nantes-based DJ, producer and Livity Sound affiliate Simo Cell jumps from bass-heavy club beats and breaks into rap, trap and back again in his hyperactive...
Brooklyn’s Ayesha blazes through a selection syncopated club sounds, thunderous techno and twisted breaks in her high-velocity Fresh Kicks mix, and chats to Eoin Murray...
Claude VonStroke and his Dirtybird label celebrate 15 years with the wind beneath their wings this year. To mark the anniversary, the label head is celebrating...
A fusionist known for intense bass and intricate drumplay, DJ and producer Hagan has built a name for himself by blending the sounds of UK...
The latest and greatest DJs and producers rising to the top this month. From stomping techno and jazzy breaks to experimental reggaetón and melodic house, here's February 2022's list of upcoming talent you should be keeping track of
In this series, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their collections. This week, Eddington Again spotlights adventurous pop gems packed with emotion and playful experimentation
Amapiano has become a world-conquering genre since emerging in South Africa over a decade ago, with the sound mutating in recent years to solidify its place as an embedded dance music culture. Here, Shiba Melissa Mazaza asks: who are the South African artists carrying the torch for amapiano right now?
Let's go— Egg's 15th Birthday, System & Set One Twenty's Terrace Party, Alfresco Festival, Virgo Festival, Leftfoot & Shadow City, Electric Frog & Pressure Riverside...
A quick scan of the Top 30 UK events in May 2018 proves one thing: you have to try really hard not to wind up...
Meet the MC is DJ Mag's new monthly interview series, getting to know emerging MCs on the electronic music scene. This month, DJ Mag’s Amy...
Huddled in a circle on the dark, smoke-filled dancefloor at Corsica Studios, the four MCs that make up Bala Bala Boyz spit over syncopated bass-heavy...
Recognise is DJ Mag's monthly mix series, introducing artists we love that are bursting onto the global electronic music circuit. This month, DJ Mag’s Dhruva...
As we grow, and shed layers of our past, we often don’t recognise the changes happening. We feel bitter in these moments; the cards we’re...