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“I see us as two dirty trolls.” Jahan Yousaf is kicking it with her sister, Yasmine at home in LA. Hailing from Chicago, the Yousaf...

rkss’ Fresh Kicks mix opens with a frenzied mash-up of metallic flutes, propulsive kicks and the isolated vocal from Rhianna’s ‘Diamonds’. It’s a striking opening...

With the second summer of love’s thirtieth anniversary fast approaching, it’s perhaps no surprise to learn that some of electronic music’s early groups are reaching...

 

Nicole Moudaber is a one-woman force of nature. The DJ/producer, born and raised in Nigeria which introduced her to artists like Fela Kuti, started...

Already a successful producer, DJ, labelboss and father, techno veteran Nic Fanciulli has his hands full. Yet he's embarked upon another project. The Social Festival, taking place at the beautiful Mote Park of Maidstone, Kent at the end of September. Not only was he born and raised in Maidstone, Fanciulli cites the town as the source of his musical inspirations, taking him back to the early days out clubbing with friends and discovering his passion for house and techno.

“Everyone wants to call dance music EDM these days but I call that shit that’s popular — you know, the cheesy stuff — I call it PDM,” says New York DJ Dennis Ferrer.
“That stuff everyone is going on about, it’s pop dance music. I take offence when someone calls my shit 'EDM' and lumps it in with all the crap. What I do is what I’ve always done, and I don’t like someone calling it anything else.”

Ministry Of Sound, one of the best known clubs in the world, faces closure if a property development is approved by London's Mayor — Boris...

In the mid-‘90s, drum & bass was the most futuristic, kick-ass, innovative UK-derived music around. After a gestation period in the underground, breakbeat science exploded into the mainstream, although that led to assorted TV ads and theme tunes and suchlike co-opting a d&b element to them. But because the scene itself was controlled by the DJs — Bryan Gee, Fab & Groove, Goldie, Hype etc — it was able to be steered back underground, so that by the end of the 20th century d&b was largely associated with the dark tech-step sound of No U-Turn et al.

Still brimming with the enthusiasm of a teenager who witnessed acid house's explosion, Justin Robertson's second album as Deadstock 33s is a dark, psychedelic voyage...

1. You can't leave Ibiza without losing your marbles at least once in Space and there's no better time or place than with We Love...