Start LocalThe best place for an aspiring host to start is on a local community radio station. Baile Beyai is one of the co-founders of...
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Plus Richy Ahmed, wAFF, Patrick Topping & more...
Jamie Jones’ Paradise party at DC-10 has risen to become one of the island’s most popular, but it’s the family ethos behind the successful brand...
UK producer Lange delivers an exquisite selection of melodic trance
"We are the music makers, and we are the dreamers of dreams." It's these resonating words — spoken by Willy Wonka in the original film...
We premiere the Berliners latest, 'Music Is Therapy', over a quick chinwag...
DJ T. has a wealth of experience in electronic music as both a journalist (he used to edit Groove Magazine between 1989 and 2004) and...
We pitch Pioneer's DDJ-SZ against Numark’s NS7II...
Despite the protestations of the die-hard old skool vinyl crowd and their never-ending loud vocalisations espousing the unique qualities of vinyl, the fact of the...
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Nearly a year into the COVID-19 pandemic, radio has become an integral part of daily life at home. It has allowed established DJs a new...
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Nottingham's rich musical heritage has always had a raw edge, from punk rock to acid and rap. That spirit lives on in a new generation...
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If hard techno is energetic work, then Sara Landry is a divine healer. Driven by an innate desire to connect with and unite the crowd, the California-born DJ is often credited as the high priestess of the breakneck sound, but behind her signature cloak of organised chaos lies an unshakable force for good. We catch up with the international star to learn more about her spellbinding sets, and why the masses are craving a fierce new edge
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With his DJ sets and productions that meld grime, techno, jungle and avant-garde experimentalism, Mumdance is one of the most original artists in UK dance...
Few DJs represent the spirit of UK dance music like Jack Adams does. A lifelong student of hardcore, drum & bass and grime, he is...
As much emo as EDM, Chicago's Krewella was the sensation of 2013, releasing a debut album, 'Get Wet,' performing on Good Morning America, and embarking...
Rarely do you find artists who speak as highly and fondly of their fans as the fans do of the artists they love. What truly...
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After intensive, early lockdowns, China's events industry is gradually returning to pre-pandemic levels, with safety measures in place. Bruce Tantum speaks to a selection of DJs...
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Ariel Zetina’s DJ sets and productions have earned her a residency at Chicago's legendary Smart Bar, and seen her release EPs on labels like itsfemmeculture...
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T2 was only 18 when he dropped ‘Heartbroken’: a sweet, infectious bassline tune that rocketed to No. 2 in the charts in 2007. Owing...
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From frenetic breaks and jungle to percussive club cuts and pop edits, Bored Lord’s Fresh Kicks mix is an electrified trip into her communal sonic...
As she prepares for another crazy summer season on the frontline at one of the world's most famous clubs - Pacha Ibiza - resident DJ...
She went on holiday to Ibiza in 1999 and never went home, she loves piano house, she shared an Ibiza residency with Pete Tong, she's...
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1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today