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Results for: remixes in blue

The flamboyant electronic sound of San Francisco’s dancefloors soundtracked gay liberation in the '70s and '80s, even as its community faced decimation as a result...

Deep in the vaults of the San Francisco GLBT Historical Society and Museum Archives, a modest wooden crate glows with the importance of a sacred...

Loco Dice talks new album and more...

Loco Dice is heading to Brooklyn. In Manhattan for the listening party for his latest LP, ‘Underground Sound Suicide’, we catch him in a...

If anyone is dance music's renaissance man, it's Detroit's Seth Troxler. There's a lot more to Seth than his hedonistic image might suggest, as DJ...

Still bleary-eyed after a night DJing to hundreds who braved freezing January weather to hear him spin on a Wednesday evening in Bristol, Seth Troxler...

A guide to dance music's pre-rave past...

We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...

We peer inside the world of Pan-Pot...

Some things in life just happen; the stars align or elements combine for a perfect chemical reaction. That's Pan-Pot. Meeting in their early 20s by...

At Home With: Danny Daze

Miami bass and electro innovator Danny Daze takes DJ Mag’s Megan Venzin on a tour of his home studio and some lesser-known pockets of his hometown, and chats about his Cuban-American heritage, and mentoring the creators of South Florida’s next big sound

Danny Daze might be known for redefining Miami bass, but an actual bass is not what DJ Mag expects to see when we pull up...

Kings Of Tomorrow

A soulful house classic, Kings Of Tomorrow’s ‘Finally’ appealed across the board thanks to its universal lyric and hopeful message. Kristan J Caryl talks to vocalist Julie McKnight, co-producer Jay Sealee, Defected’s Simon Dunmore and Bushwacka about its evergreen appeal

“I was visiting my cousin Jay,” remembers Julie McKnight of one special night in a New Jersey living room 20 years ago. “Sandy, the other...

Tali by Jamie Lees

Tali was the first female drum & bass MC to feature on DJ Mag’s cover in 2004, coinciding with the release of her debut album ‘Lyric On My Lip’ on Full Cycle. Nearly 18 years on from that trailblazing release, Jake Hirst connects with the artist to discuss her self-produced eighth studio album, ‘Future Dwellers’, and the journey of self-worth that lead to it

“I was so busy and stressed back then, but I was having the time of my life,” Tali says, sitting back in her chair with...

DJmag.com chatted to Dutch DJ Sander Kleinenberg about his new project, and the future of DJing.






"I'm a bit depressed today," admits Dutch DJ Sander Kleinenberg. "I've spent all day listening to new tunes that people have sent me, and 90%...

 

 

Charlotte de Witte has shot into techno’s upper echelons since assuming her real name for her productions and DJ slots. Initially using the male-sounding alias...

 

It’s 2017 and techno is bigger than ever. It’s a statement that could, of course, be applied to dance music overall, but this year...

The Prodigy have defined a movement, a generation. Their new album is out today

“I think we should be a British institution. Everyone goes on about all of these other people from the '90s like Blur and Oasis, but...

Detroit's DJ Minx has been championing the electronic sounds of her hometown since day one, but has flown under the radar for much of her...

If anybody’s paid their dues, it’s Jennifer Witcher, aka DJ Minx, Detroit’s “First Lady of Wax”. She’s been here all along, representing the future sounds...

Soundsystem artwork 1

Sound systems have driven the development of music in the UK, powered by hard work, passion and innovation. But preserving UK sound system culture, its knowledge and history, while also pushing it forward, is no easy task today. Ria Hylton traces its path through ska and reggae at blues dances in West Indian households, to soul, boogie, hip-hop and house in ’80s warehouses and at the Notting Hill Carnival, to nationwide tours and global popularity, and finds out how initiatives like the Sound System Futures Programme are seeking to secure its future 

It’s the Thursday before Notting Hill Carnival and Linett Kamala, board director of Europe’s biggest street party, is weaving through the streets of Kilburn. Her...

Photo of RIOT CODE wearing a blank tank top in a dark room, with a large beam of light shining around him from the back

Over the past three years, the name RIOT CODE has become synonymous with a strain of hard, fast techno, landing on labels like Noise Manifesto, HOMAGE and NineTimesNine and hammered out at parties like Teletech. Formerly a duo, the Derry-based project is now an individual venture for Oliver Grant, who’s ready to lift the trademark mask and take things to the next level. Alongside a storming Recognise mix that capture’s RIOT CODE’s past, present and future sounds, he speaks to Olivia Stock about going solo, navigating the techno scene as a trans artist, and what the future holds

It’s New Year’s Eve 2023 in Belfast’s Bone Yard, and Oliver Grant is overthinking. After spending the previous two weeks restlessly rifling through his collection...

As we enter a new decade, the ways in which we define electronic music styles are rapidly changing. Chal Ravens explores the etymological evolution of...

Bickering over genre definitions is a time-honoured tradition in dance music. One of the weirder etymological developments of recent years is the changing meaning of...