On October 19th last year, David Guetta went out onto the main stage at Amsterdam Music Festival (AMF) in the Johan Cruijf f ArenA, where...
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A guide to dance music's pre-rave past...
We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...
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Are you the best DJ/producer who just hasn’t yet been discovered by the mighty Pete Tong to catapult your career into an overnight success? We...
We pushed our minds and bodies to the limit during another week of WMC/Miami Music Week. From South Beach to Ultra, Diddy's party to downtown...
DAY ONE: WEDNESDAY
We kick off Miami Music Week 2014 with DJ Mag Poolside Sessions at our new Miami base — The Surfcomber on Collins...
With his house-focused project Jack Back, David Guetta has returned to the sound that first got him fired up about dance music. In his DJ Mag...
Released on 30th January 1989, New Order’s fifth album is a sun-flushed pinnacle of dance rock, directly inspired by the hedonistic energy of Ibiza’s burgeoning club scene of the time. 35 years on, with the help of the album’s engineer Michael Johnson, Ben Cardew reflects on its legacy, and its influence on the acid house era
Manchester's Happy Mondays drew influence from funk, house, and psychedelia to pioneer the Madchester sound. Here, Ben Cardew explores the lasting legacy of their 1990 album, ‘Pills ’N’ Thrills And Bellyaches’, which dropped in the midst of the Baggy takeover, and defined an era
Unorthodox Events and Queer Rave are two club-nights that are creating new spaces for LGBTQ+ people in the drum & bass/jungle scene. Jack Ramage speaks...
Daft Punk have taken on a robot form for so long that it's hard to remember a time that they didn't don their famous helmets...
Producing under the alias Renegade, Ray Keith delivered an instant classic in 1994's ‘Terrorist’, one of the most recognisable jungle tunes of all time. Its thumping chopped...
MHYSA’s thought-provoking work looks toward a post-binary, post-male-dominated future. It’s also some of the most atmospheric, beautifully immersive music around
On her new album for Modern Love, Mexican-American producer, DJ and audio engineer Delia Beatriz, aka Debit, combines ancient Mayan wind instruments with machine learning. Ahead of its release, she records a “pre-hispanic to post/transhispanic ambient mix” for the Recognise series, and speaks to Eoin Murray about DJing for Azaelia Banks, her desire to contribute to the canon of electronic music, and making ambient music that goes beyond “beautiful”
After a summer in Ibiza and with a gig for 25 Years of DJ Mag in Birmingham to look forward to, NYC’s Martinez Brothers have...
New York’s finest, The Martinez Brothers, Steve and Chris, have spent their summers being based in Ibiza for the past six years or so. They’ve made...
fabric 19th Birthday, No Bounds Festival, Simple, Simple Things Festival, At One, Terminal V...
If there were arguments as to whether the UK’s regional cities were undergoing an electronic renaissance then this month settles it.
Not that London’s October...
Based in Glasgow, Highlife have been pushing an afro-futurist sound on their label and at their parties for the past five years. With their 'world...
It’s August 2016, and the second day of Dimensions Festival in Pula, Croatia. Auntie Flo is spinning at the Highlife beach party at the event...
Willie Burns is the New York house producer everyone's raving about...
Willie Burns comes from the fringes. The US producer’s releases for Trilogy Tapes, L.I.E.S, Crème and Rush Hour have seen his left-of-centre house, techno and...