In the early hours of Sunday 1st December 2019, militarised police broke up a Brazilian funk street party called Baile da DZ7 in the São...
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Baile funk is a phenomena of Black Brazilian music. But despite a huge fanbase and cultural influence, funk is often criminalised in Brazil because of...
As part of our end of year and end of decade coverage, we've written about our favourite albums, tracks and compilations. Here, DJ Mag staff...
After the 2014 release of ‘1021,’ London-born, Toronto-raised, and LA-based artist Rochelle Jordan went through years of business and health-related difficulties, finally coming out the other end with last year’s emotion-drenched ‘Play With The Changes.’ A new remix album, featuring brilliant work from DJ Minx, Byron The Aquarius, Machinedrum and other notable acts, lifts Jordan’s theme of rejuvenation into a thrilling new phase
Timeline and the next generation of talent from Underground Resistance
Debuting the latest incarnation of their ever-evolving live show at this year's Movement festival, Timeline is the next generation of talent from Underground Resistance –...
In the UK and elsewhere, there’s now a pathway towards a staggered reopening of clubs and festivals. But how have venues coped in the past...
Techno rises in the heart of the Midwest and with it, a bold call to action.
DJ Mag meets Lisa Smith on a winter afternoon in The Black Madonna’s crowded Chicago apartment. A large film crew is staging lighting...
DJ Mag talks his new LP as Deadstock 33s & scores a first listen.
Still brimming with the enthusiasm of a teenager who witnessed acid house's explosion, Justin Robertson's second album as Deadstock 33s is a dark, psychedelic voyage...
Dutch DJ/ producer Fedde Le Grand's tips for ADE
He might be best known for putting his “hands up for Detroit” but Dutch producer Fedde Le Grand also holds a torch aloft for Amsterdam...
The melodic deep house of Maya Jane Coles’ ‘What They Say’ helped put her on the map, and soon went on to be sampled by...
She's built a rock-solid unit that's celebrating a decade of electronic music brilliance this year...
It’s the 1st May. ‘May Day’ public holiday in Berlin, traditionally the time when the city transforms from the grey, oppressive bleakness of its...
1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today
One of dance music’s most recognisable characters is growing up. We talk to Seth about the repetitive party lifestyle, being a catalyst for change, and...
Dillon Francis steps further into the spotlight with the release of his debut album, 'Money Sucks, Friends Rule'...
It’s the cusp of fall in Los Angeles, and one of the hottest days of the year. The air is thick and heavy; its weight...
On Cue is our flagship mix series, celebrating the pivotal DJs and producers whose influence has shaped and adapted the world of electronic music, both...
Marlon Hoffstadt’s ethos when it comes to the club is pretty simple. Turn off your phone, savour the moment, communicate through the music on the...
Brought up near São Paulo, Brazil, the daughter of a club owner, ANNA has made her own destiny through a combination of perseverance and talent...
It was supposed to be her moment. After two decades of work, ANNA had caught the attention of Ibiza’s biggest names. She’d released her 2016...