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Results for: royalties

Copyright, indefinite ownership, artistic rights – signing a label contract without prior scrutiny can lead to protracted, complicated scenarios for artists at any stage in...

If you’re at a stage where you’re hoping to release your music on a label, now it’s time to make sure you don’t get done...

IMS 2024 Business Report

Strong growth across live and recorded reflects rocketing demand, but artists are finding bookings harder to get, and gender inequality remains widespread 

The 2024 IMS Business Report was published yesterday, Wednesday 24th April, and shows the dance music industry is now valued at $11.8 billion, up 17%...

Artificial intelligence, the doom mongers say, will make many human jobs obsolete, and some believe it will destroy the music industry too. But the flipside...

Picture this... It’s 2030, and the DJ Mag Top 100 has just been topped, for the first time ever, by an artist created with artificial...

The last decade has yielded some extraordinary innovations in dance and DJ culture. Below, we count down some of the most significant technological tools to...

It’s 2008. Armin Van Buuren has won the DJ Mag Top 100 DJs poll for the second year running. Gordon Brown has shakily taken the...

IMS lands in Singapore

The 2014 International Music Summit (IMS) Asia-Pacific was held on December 11th, in the prestigious W Sentosa Cove, Singapore. The summit is the first of...

Working for free is rife among producers and engineers, with 77% having worked for free in the last 12 months alone. But is it just...

Last year, the Music Producer’s Guild (MPG) released a report that revealed that, in the past three years, 71% of sound engineers and music producers...

Pioneer DJ’s new CloudDirectPlay ushers in a new era for DJing

Pioneer DJ announced a new firmware update for their flagship CDJ3000 player last week, called CloudDirectPlay. The new feature lets users access files stored in...

aslice

DVS1's new service Aslice asks DJs to donate a percentage of their fees to the artists whose music they play. Will it revolutionise how producers are paid in electronic music?

Aslice is a new platform founded by DJ and producer DVS1. The service is designed to help close the gap in income between DJs and...

In a series of posts shared to social media last week, Eddington Again outlined their “ongoing dispute” with R&S and its co-founder Renaat Vandepapeliere relating...

R&S Records has terminated its contract with LA-based artist Eddington Again following a dispute relating to “incorrect splits on late royalty statements” and the dismissal...

Soon DJs will be able to stream millions of tracks directly to their software and hardware. DJ Mag explores the impact on DJing tech, creativity...

Imagine the scenario — you walk into the booth with nothing more than a pair of headphones, login with your username and password to the...

As part of our end of year and end of decade coverage, we've written about our favourite albums, tracks and compilations. Here, DJ Mag staff...

DJs and producers are supposed to be on the same side. For decades now, producers have made the music, and DJs have played it. Simply...

This evergreen breakbeat hardcore missive influenced the likes of The Prodigy and the whole of the early UK rave scene. Ben Murphy charts its story...

“I saw that record go from street level and get bigger and bigger, and there was no video for it, no promotion, nothing,” says Renegade Soundwave’s Danny...

A guide to dance music's pre-rave past

A guide to dance music's past

Photo of a large crowd of people protesting against the Criminal Justice Bill

1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today

The Criminal Justice and Public Order Act was passed into UK law in November 1994. Infamous for targeting events that played music “wholly or predominantly...