The Criminal Justice and Public Order Act was passed into UK law in November 1994. Infamous for targeting events that played music “wholly or predominantly...
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Features
1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today
We're digging the psychedelic hip-hop and dub funk vibes of Mauritian-English Mo Kolours...
“I think with electronic music and modern day ideas about mastering and all these processes, people want to get rid of the background noise and...
Features
DJ Mag heads to Ghana to explore a rapidly expanding, festival- driven scene that, while rooted on pop and traditional sounds, is beginning to open...
March is an important month in Ghana’s calendar; it’s when the West African country celebrates gaining independence from British colonial rule in 1957. The month...
A guide to dance music's pre-rave past...
We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...
A guide to dance music's pre-rave past...
We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...
A guide to dance music's pre-rave past...
We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...
Features
Releasing both hidden gems from the old school and essential new-gen bangers, Deep Jungle has secured a reputation for buy-on-sight junglism. Alongside a mix representing the past, present and future of its catalogue, founder Harmony shares the secret of the label’s success with Ben Hindle
He's working with Mos Def and nu skool Detroit cat Kyle Hall, amongst others, and funkin’ floors everywhere...
For years, Steven Julien, aka FunkinEven, didn’t think the music he was making was good enough to release. Then he met Sam Shepherd, aka Floating Points...
We catch up Fatima to talk about the theme behind the album, her musical roots, and more...
Fatima Al Qadiri is as difficult to classify as her vast productions. She could simultaneously be deemed a visual artist, academic instigator, journalist (as a...
Cover Features
Don Diablo, or as he’s affectionately known in the DJ Mag North America office, Big Don, is an all-round entrepreneur. Though the Dutchman has been...
In East Amsterdam, tucked away on what seems like a sleepy street (though that may just be due to the icy weather), lies the home...
Ed Rush & Optical are still big in the game. They may have gone through fatherhood and other projects individually, but when they come together...
Spend any amount of time with Ed Rush, be it five minutes or five hours, and he won’t stop talking — and not for one...
We speak to Berlin’s sampling bootleg king ahead of SW4...
At what point does sampling become plagiarism? It's a common question in dance music, but with few occasions has the debate become as contentious as...
DJ Mag talks to Dave about the track series that propelled him to stardom...
We’re outside the Dylan Hotel in Amsterdam, the night after Dave Clarke’s sell-out ADE party. Your DJ Mag hack is somewhat the worse for wear...
Features
Jungle pioneer M-Beat made some of the genre’s biggest chart hits, but disappeared from the industry in 1996. Having gone through hardships and been widely...
Features
The latest and greatest DJs and producers rising to top this month. From tough techno and sun baked house to icy UK rap, breaks and...