The Chemical Brothers entered the new millennium looking tired. Their third album, 1999’s ‘Surrender’, featured massive hits in ‘Hey Boy Hey Girl’ and ‘Let Forever...
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‘Come With Us’ was the birth point of The Chemical Brothers 2.0, and it came at a vital time, with the dance music slump of the early '00s leaving many big electronic groups looking vulnerable. Here, on the 20th anniversary of the release of the album, Ben Cardew looks back at how 'Come With Us' reinvigorated their career
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Infusing his art with aspects of his Caribbean heritage, and stories and messages aimed to drive political and social change, London rapper KAM-BU is a...
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London label Alien Jams has been releasing music that balances propulsive dancefloor energy with extraterrestrial experimentation since 2014. Alongside a mix from its catalogue, founder...
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Detroit’s Waajeed records a thumping house mix for the On Cue series, and speaks to Tajh Morris about The Underground Music Academy, an ongoing project...
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Bristol-born Banoffee Pies Records is best known for its sonic diversity, V/A compilations and plethora of series and sub-labels. But as its founder Ell Weston...
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Meet the MC is DJ Mag's interview series, getting to know emerging MCs on the electronic music scene. This month, Felicity Martin catches up with...
Dance music's renaissance man graces the cover of DJ Mag USA...
From new ventures in live performance to reunions with Digweed, fresh collaborations to the birth of a baby, the godfather of progressive is busy building...
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The past few years have seen mental health pushed to the forefront of conversation in electronic music; however, the effects of racism are still not...
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Dave 1 and P-Thugg, better known as the sapid duo Chromeo, are about to release their most zestfully slick album to date, ‘Head Over Heels’...
Experiencing Chromeo is like taking a step back in time—but with all the luxuries and comforts of today. It’s in the duo’s music, which takes...
Crazy P are more than just a band: they're a phenomenon, a live unit of astonishing charisma, an act that unite club DJs, pop fans...
“Yes, absolutely, every single time!” Crazy P’s front woman Danielle Moore croons down the phone line to DJ Mag. “I still get nervous onstage...
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Allen & Heath’s Xone:92 celebrates its 20th anniversary this year. Remaining an industry standard, the mixer has stood the test of time. Here, DJ Mag’s tech editor, Mick Wilson, takes a look at the history, the heritage, and the enduring importance of this well-loved, if polarising, piece of DJ technology
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Returning to the city after a five-year hiatus, Simple Things delivers a 10th anniversary programme that celebrates Bristol’s vibrant music scene whilst welcoming a kaleidoscope of international sounds into the fold. DJ Mag’s Olivia Stock reports back
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In the summer of 1989, DiY collective — one of the first house sound systems in the UK — emerged onto the rave scene. In this excerpt taken from founding member Harry Harrison's book, Dreaming in Yellow, he discusses DiY's role within that movement, and the importance of free parties during the '90s rave scene
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Encompassing parties, a record label and a beloved radio show, Errol and Alex Rita’s Touching Bass has created an open space to celebrate Black music in all its forms, from jazz to jungle and beyond. Alongside a woozy mix exploring the DNA of Touching Bass’ past, present and future by Sammseed, Ria Hylton documents the movement’s ethos and story so far
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How Nicolette's ‘Let No-One Live Rent Free In Your Head’ mapped the future of electronic songwriting
On 1996's ‘Let No-One Live Rent Free In Your Head’, Scottish singer, songwriter and producer Nicolette worked alongside 4Hero’s Dego, Plaid, Alec Empire and Felix to create an album that mixed jungle, trip-hop, industrial techno and avant-pop into a singular work full of sharp, incisive lyricism. Ben Cardew explores the legacy of the album, and its vision for the future of electronic music