Clubs around the world are shut, and opportunities to find new music out in the wild have been ripped from under our feet as a...
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In this regular feature, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their Bandcamp...
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An unanticipated accident turned one figure skater’s dreams upside down, and opened the door to a bass-fueled future the artist now known as Whipped Cream never...
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30 years ago, a multicultural trio who found delights on New York City dancefloors released a single that merged funk, pop, and disco in a...
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DJ Mag takes in Iceland Airwaves – in partnership with our friends at BULLDOG Gin – a long-running music festival focussing on homegrown talent...
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Bristol-based Brazilian S.P.Y has just made the album of his career by looking back to early jungle. But as he explains, his recreation of the...
Everyone’s a junglist these days aren’t they? You’re a junglist. Your dear old dad’s a junglist. Even that nice little old lady next door and...
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Drum & bass futurists Blocks & Escher promised an album four years ago through Goldie’s Metalheadz label. Now it’s finally arrived, but what caused the...
Bust ups. Car park fist fights. Prison sentences. Vicious acrimonious splits resulting in major High Court settlements. Six-day self-finding mushroom binges in the Highlands. Tabloid...
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If hard techno is energetic work, then Sara Landry is a divine healer. Driven by an innate desire to connect with and unite the crowd, the California-born DJ is often credited as the high priestess of the breakneck sound, but behind her signature cloak of organised chaos lies an unshakable force for good. We catch up with the international star to learn more about her spellbinding sets, and why the masses are craving a fierce new edge
We've switched up our end-of-year coverage this year. Instead of ranked countdowns, we've asked 40 contributors to pick their favourite albums, tracks and compilations from...
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Simian Mobile Disco’s Jas Shaw deals in machine-driven techno delicacies, as his recent ‘Exquisite Cops’ solo album demonstrates. But having swapped the urban surroundings of...
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Marcia Carr is into her fourth decade behind the decks and has seen many trends come and go in that time. Throughout, she’s stuck with what truly moves her: an assortment of Black music from jazz, funk and boogie to gospel house, broken beat and beyond. She’s thought about giving up DJing on more than one occasion, but — driven by passion and faith — is now enjoying a well-deserved moment in the sun. Alongside an uplifting On Cue mix, she tells Ria Hylton her story
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Daft Punk split up three years ago, but thanks to a near-constant stream of archival video releases, album reissues, merch drops and more, the robots feel more present than ever. But what are the limits to one of dance music's most iconic acts' prolific post-split existence? Will it start to wear thin? And what does it all say about the brand-focused and content-driven ecosystem we find ourselves in today? Ben Cardew dives in
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A new photography book, Drumz Of The South: The Dubstep Years 2004-2007 captures the early years of dubstep, depicting an important cultural moment in UK musical history. Charlie Bird talks to photographer Georgina Cook about the invention and excitement of the time, the influence of South London, and how that moment is influencing a new generation
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Shocked by the spate of accidental opioid overdoses in the US clubbing community, DJ and producer Lauren Flax decided to take action. With the help of healthcare professionals and...
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The melodic deep house of Maya Jane Coles’ ‘What They Say’ helped put her on the map, and soon went on to be sampled by...
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The latest and greatest DJs and producers rising to the top this month. From soulful house and industrial techno to razor sharp rhythms and organ...