The word “shitshow” comes up a lot when you talk to independent label owners about producing vinyl. Emily Moxon, managing director at Brownswood, says that...
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Manufacturing delays and rising costs are straining small, independent vinyl labels. Paired with environmental concerns and a reassessment of what physical releases can entail, the...
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Jungle pioneer M-Beat made some of the genre’s biggest chart hits, but disappeared from the industry in 1996. Having gone through hardships and been widely...
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From the histories of global scenes, sounds and labels, to explorations of music’s power to alter the fabric of society and forge communities, here are...
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From the birth of acid house and the free party scene, through the era of super clubs and into the digital age, flyer design has...
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The latest and greatest DJs and producers rising to the top this month. From fiery percussive club music and techno to celestial synths and deep...
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With a range of sounds encompassing slo-mo house, gothic EBM, Italo disco and more, and an equally unrestrained art direction, Freeride Millenium is a no-holds-barred expression of love between its founders Jorkes and Daniel Rajcsanyi, aka ParisBöhm, and the queer community they aim to uplift. Alongside a mix of tracks from its catalogue, they share the label’s story
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In this month’s Meet the MC, Amy Fielding speaks with London-based artist sbk about coming up through the capital’s grime scene, his debut mixtape, and a new creative direction
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Ahead of his appearance at DJ Mag’s Miami pool party, we chatted with the Italian DJ and producer about his journey in dance music and his approach to DJing
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With over 50 cuts of exemplary UK rap, drill and grime, producer and Croydon FM resident Nammy Wams steps up for the Fresh Kicks mix...
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In the UK grime scene, the spotlight has usually shone on MCs. Instrumentals have long remained a niche point of interest, a topic for more...
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Emerging technology, BODYHEAT, promises to make clubs more carbon neutral. Sophie Lou Wilson speaks to those behind it, the first club to trial it (SWG3 Glasgow), and others about how it works, as well as its potential and limits
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Meshing dancehall, dub, techno and industrial, Bristol’s Bokeh Versions label has carved a unique niche in the UK underground Alongside a 100% Bokeh mix recorded...
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With a new EP driven by the rave and jungle sounds that first inspired her, and her Batty Bass club-night revived, Hannah Holland is having...
Rewind to the early noughties in London: Turnmills and The End were still in full swing, and Hackney still had a lawless feel with its...
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UK label Champion Records is celebrating its 35th year with a series of remixes of classic releases. The label's best-known hit is Robin S' ‘Show...
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Over the past two decades, West London DJ and producer T.Williams has worn many hats, from his roots in grime and jungle through to spells in garage and soulful melodic house. His recently released debut album, ‘Raves Of Future Past’, finds him freed from all limitations, and pays tribute to this wide-ranging career. Here, Ben Murphy speaks to him about writing songs versus bangers, the freedom of expression of the early 2000s era, and how he made his classic track ‘Heartbeat’ with Terri Walker