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Photo of a large crowd of people protesting against the Criminal Justice Bill

1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today

The Criminal Justice and Public Order Act was passed into UK law in November 1994. Infamous for targeting events that played music “wholly or predominantly...

As a show of solidarity to support the artists and labels impacted through the cornavirus pandemic, we've launched a weekly roundup of the most vital...

The pandemic of the novel coronavirus, COVID-19, has had a devastating impact on our scene, leading to the cancellation of countless club nights and festivals...

Artists to watch 2022

Introducing the artists set to make waves this year: From Jersey club, Afrotech, and hardcore to UK rap, Brazilian grime, Ghanain asakaa and beyond, these are the DJs, producers and MCs pushing tomorrow’s sounds today

The hyper-kinetic pulse of Jersey club is taking over the world, and one of its most prolific young talents is New Jersey polymath, SJAYY, whose...

Keith McIvor and Jonnie Wilkes

Keith McIvor and Jonnie Wilkes, aka Optimo (Espacio), have helped define Glasgow’s musical landscape for over two decades with their eclectic and dynamic dancefloor selections. As 2022 marks Optimo’s milestone 25th anniversary, a tour of their home city reveals the ethos behind their inimitable sound

A love of dancing runs deep in Glasgow. And no one better embodies the city’s enduring passion for getting together on the dancefloor than Keith...

NQ x Abbey Road Studios

Through its nurturing of new superstars like Aitch and other young local talent, Manchester’s NQ has become a veritable institution of modern UK rap, helping elevate regional artists across the UK. James Keith meets members of the crew during a recent takeover at the legendary Abbey Road Studios, and heads to NQ’s northern base to discover the secret to its success

NQ is reshaping Manchester’s musical identity one mega-hit at a time. An entertainment company consisting of a record label, management and publishing house based in...

Vintage Culture press shot in a yellow jacket

Vintage Culture has come a long way from a small town in Brazil to playing stadiums, topping dance charts and partying with football royalty. After suffering near-burnout from constant touring, he’s recharged and full of vitality, with a deeper sound he loves with all his heart, hundreds of tunes ready to go, Ibiza and Las Vegas residencies scheduled, and a set lined up at DJ Mag's Miami Pool Party

Lukas Ruiz grew up in Mundo Novo, a tiny municipality with under 20,000 inhabitants, right on Brazil’s border with Paraguay. His mum had always told...

Using data from voting in this year’s global Top 100 DJs poll with a genre filter based on insights and data from Beatport, we present...

This is the fourth year that DJ Mag has presented the Alternative Top 100 DJs list in association with Beatport. In 2021, the genres included...

Born in the UK in the early ‘90s, during a period of explosive creativity, the freeform breakbeats of jungle became the soundtrack to many producers’...

An avalanche of snare drums, sub-bass that pulverises your rib-cage, possessed divas wailing from the abyss; fragments of funk, shards of techno, dabs of dancehall...

UK label Champion Records is celebrating its 35th year with a series of remixes of classic releases. The label's best-known hit is Robin S' ‘Show...

It starts with a cymbal crash, a bumpy house beat and a prominent, punchy snare. There’s a gnarly, low synth stab that plays a simple...

Stanton Warriors are the UK breaks and bass duo who've fought fiercely to push their genre-blending sound for more than two decades. And with a...

Dominic Butler and Mark Yardley famously took the name Stanton Warriors from a manhole cover on a Bristol street in the mid ’90s. An apt...

Photo of DESIREE wearing a purple hat and eye-makeup on an emerald background

Soaring ascents, the kind that can take an artist from obscurity to stardom in what seems to be the blink of an eye, don’t occur often, in dance music or elsewhere – those who are lucky enough to have that experience often disappear just as quickly. But there’s little chance of a quick fade for South Africa’s Palesa Desiree Shilabje, the DJ and producer known to the world as DESIREE, who in just a few short years has proved to be one of the international festival circuit’s most exciting new stars. Here, Bruce Tantum hears her story, and about how her evolution through music has been as organic as they come

“I’m finally home.” Those three words are among the first that the South African DJ and producer Palesa Desiree Shilabje utters when DJ Mag catches...

Selections: Ciel

In this series, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their collections. This week, Ciel picks boundary-pushing techno, electro and trance, spaced-out jungle and sun-baked garage

Ciel is an open-format DJ in the fullest sense of the term. Her 2019 mix for DJ Mag’s Recognise series was a near-90 minute ceremony...

Black and white image of a graffiti'd wall that reads "Kitchen Top Floor"

In the midst of the ruinous Thatcher era, Manchester’s Hulme Crescents estate became a haven for squatters, anarchists and acid house ravers, who converged in the hedonistic flat-turned-studio and after-hours club, The Kitchen. Kemi Alemoru speaks to former residents, DJs and familiar guests from the Madchester scene about the lasting impact this space had on the city’s cultural landscape

Welcome to Hulme Crescents, Manchester, an inner-city public housing experiment that, in the ’80s, became an amphitheatre of chaos and creativity. In this estate, acid...

Octo Octa in a red cut out top against a blue background

From her first release as Octo Octa in 2011, there’s always been an element of rapturous freedom inherent to Maya Bouldry-Morrison’s music. But since coming out as a trans woman and meeting her life/work partner Eris Drew, that feeling is rendered in brighter shades than ever. Taking time out from a European tour, Bouldry-Morrison details her road to house music happiness

This feature originally appeared in print in the June issue of DJ Mag North America. It has been amended for online publication, due to two...

Ukraine’s Nastia could be techno’s most outspoken DJ — a world famous artist who matches her razor-sharp skills behind the decks with an honesty on...

When DJ Mag meets Nastia in the lobby of her upscale Berlin hotel one rainy winter’s afternoon, she doesn’t smile, and almost looks a little...