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Results for: were discs

A staple of Bristol’s hybrid bass/techno scene, Hodge has begun to branch out in recent years, resulting in a stunning debut album, ‘Shadows In Blue’...

Takumi Fujiwara is a tofu delivery driver. His father, Bunta, holds the record of the fastest downhill time at Mount Akina; he’s known as “the...

Eight years in, and the house kid from Bordeaux is all grown up...

It’s hard to believe that Hugues ‘Bobmo’ Rey has been firing out leftfield dancefloor bombs for nearly a decade. Bursting onto a French scene that...

The latest and greatest DJs and producers rising to the top this month. From hammering techno to trippy deep house, here's April 2019's list of...

The evolution of Porter Robinson has been filled with constant transformations throughout the years. The beloved producer once again abandons the sounds that made him...

Porter Robinson opens his mouth and words come pouring out at a mile a minute. When the North Carolina wunderkind is excited, like he is...

Exclusive wardrobe access

“I was always inspired by the soul and funk, and love the soul style of the '70s. It's flamboyant and colourful, and I also really liked Cher when Bob Mackie dressed her in the '70s. I loved that funky mod look she had going on. I am a big fan of colours and orange, red and white are my favourites. I am not really moved by what everyone wears as a group. That's funny to me, and some might think it's weird, but I like unique style.”

Bob Sinclar has cultivated the image of a French international playboy over the many years.

He's been involved in house music, although in truth he is quite the family man. Now living in LA, he tells DJ Mag here the story of why he chose these tracks for this issue's covermount mix, where he digs for sample sources, and exactly what else he's been up to lately...



Danny Howells isn't your typical DJ.

"For fuck's sake, hang on a sec, I'm scanning stuff, some Visa crap. My old agent used to do it but my new agent won't...

The songs that speak to the vinyl-loving purist’s heart 

After his colossal ‘Hanns Trippy’ smashed Ibiza’s Do Not Sleep parties all summer, why shouldn’t the song’s architect and party’s...

House pioneer returning to UK to play Proud2, London

American House legend Todd Terry is set to return to London for the second time this year with a show at the ever emerging Proud2...

New vinyl-CD hybrid format is "the pinnacle of recorded sound", says founder T Bone Burnett

Burnett has described it as the "first breakthrough in analog sound reproduction in more than 70 years"

US music producer and guitarist T Bone Burnett is developing a new physical audio format, which he's calling 'Iconic Originals'. The ultra high-fidelity format, said...

On Cue: Perel

NYC/Berlin-based DJ, producer and vocalist Perel records a mix of wavy nu disco, thumping house and Italo for the On Cue series, and speaks to Katherine Rodgers about regaining her confidence after a debilitating label experience, and her bold and irreverent new album, ‘Jesus Was An Alien’

With her bright, exuberant personality and predilection for infectious dance music polished to a pop sheen, you’d be forgiven for thinking of German DJ and...

If you only go out once this month, make sure it’s to one of these...



1. TORQUE

Corsica Studios, 5 Elephant Rd, , London SE17 1LB

IF RELENTLESS INDUSTRIAL BEATS, post apocalytic soundscapes and robo-crunk melodies blasting on a...

Photo of a large crowd of people protesting against the Criminal Justice Bill

1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today

The Criminal Justice and Public Order Act was passed into UK law in November 1994. Infamous for targeting events that played music “wholly or predominantly...

Rachael Williams, aka Ambient Babestation Meltdown, compiles an hour of obscure TV samples and leftfield techno, rave and '80s German punk for the Fresh Kicks...

The artists primed for big things in 2013!

If you thought 2012 was a fine vintage for speaker-cracking sounds, get a load of these lot. They're some of the cats who'll be making the dancefloor an intoxicating place to be this year. Serving up everything from deep disco vibes to subterranean bass darkness, these are the DJ/producers destined to make a splash in 2013...