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Obaro Ejimiwe better known as Ghostpoet hit the ground running with his debut album ‘Peanut Butter Blues & Melancholy Jam’, released on Gilles Peterson’s Brownswood...

DJ Mag spoke to Paul about his latest compilation ‘Vegas To Ibiza’, musical adventures and deep-routed passion for the dance music scene and his long-awaited next artist album...

DJ Mag had a chance to pop over to the world-famous Abbey Road Studios to chat with Howie about his involvement with manufacturers of bespoke speakers Bowers & Wilkins and Italian car giants Maserati in a new music project

Can Bristol's city festival bring back the sun and smiles? In the company of Bicep, Seth Troxler and Shy FX, among others, you bet...


For Mobilee boss Anja Schneider, recent gigs include Mexico, France and Romania, and then there is time required in the studio putting together robust tech funk numbers like her own 'Diagonal' (out now), as well as the marketing, promo-ing and mastering of label mates like Rodriguez Jnr and Sebo K and Ray Okpara. She's a very busy girl, indeed!

Korg is looking to create maximum Kaoss with its all-new KP3+ flagship effects unit...

As rolling eyes clock the camouflage draped ceilings with bug-eyed ravers lining the leather clad walls the new soundtrack of future house and bass that fills the dancefloor marks the arrival of Junk's latest night Bang Bang. Arguably the South’s answer to Fabric and the proud nominees of DJ Mag’s Best Of British Best Small Club Award are excited to offer their latest take on the ever-evolving dance culture. As Junk director Louis Lawrence describes the new addition to the Junk family, “The music is slightly more underground/future-sounding. It spans more than just house music; we’ve coined it 'Future Beats & Bass'”.

As one of the final dates in the festival calendar, the latest addition to Croatia’s coastal party scene has promised a fine coda to the summer since its mouth-watering lineup dropped at the start of the year. Held in the same spot as older sibling Outlook, which celebrated its fifth year the week before Dimensions opened its doors, it’s been billed as a more highbrow offshoot – in place of Fat Freddy’s Drop on the lineup stands Nicolas Jaar, Skream gives way to Carl Craig and there was nary a New Era cap in sight.

Don't get DJ Mag wrong, there's been a long tradition of the remix as a credibility boost in the music industry. Back in the day, from the late '80s and the first crossover of house music onwards, dire popstrels of the ilk of Simply Red and the Spice Girls (or rather their record companies) would be queuing up for a taste of authentic dance flavour, getting cool names to remix their tracks in order to boost sales of 12”s.

Larry Levan's NY mecca might be gone (not forgotten), but The Garage is already the place on Leeds' lips less than 10 months in...

We catch up with progRAM's bass-mad trio Chroma and look forward to 2013

We take a look at the next generation of music promotion

“Here's Johnny!” growls a demented Jack Nicholson in what's considered, in this correspondent’s mind anyway, the most psychologically disturbing film ever made. Nope, we haven't...

These days, establishing and maintaining a high-end festival brand requires more than just bunging a decent soundsystem in a field and expecting the mindless rabble...