As the festival calendar becomes increasingly saturated, party season never feels too far away. Plans are hatched throughout the year, as WhatsApp groups light up...
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Growth of the festival industry shows no sign of slowing, but the sector faces more issues than ever before. Emissions and waste need urgent attention...
Features
From more inclusive dancefloors to world-confronting techno festivals, DJ Mag’s Anna Cafolla speaks to the collectives, crews, and scene stalwarts pushing Poland as a radical clubber’s...
Features
Using data from voting in this year’s global Top 100 DJs poll with a genre filter based on insights and data from Beatport, we present...
The evolution of Porter Robinson has been filled with constant transformations throughout the years. The beloved producer once again abandons the sounds that made him...
Porter Robinson opens his mouth and words come pouring out at a mile a minute. When the North Carolina wunderkind is excited, like he is...
Sam Divine, Dennis Ferrer, Sonny Fodera...
When Simon Dunmore left his major label A&R job with AM:PM, the dance offshoot of A&M Records, to start his own independent dance label, even...
Ralph Lawson's Leeds house music institution 2020 Vision celebrates 20 momentous years...
Leeds house music institution 2020 Vision celebrates 20 momentous years in 2014. Here, label boss Ralph Lawson remembers two decades of one of the UK's...
The unmissable parties that you need on your radar!
It’s back. America's most important electronic music gathering is returning to South Beach in Miami. The Winter Music Conference 2013 (and its wider nomenclature Miami Music Week) will be host to the industry's hot shots — the DJs, producers, promoters and label owners pulling the strings of this international emporium we call dance music — their arms (and minds) wide open to another onslaught of Miami madness.
Features
From its beginnings in Yorkshire clubs to becoming a nationwide dance music phenomenon and chart success, the bassline sound has survived and thrived, despite the efforts of the police and club licensing authorities. Matt Anniss charts its rise, fall, resurgence and influence on a new generation of DJs, producers and ravers
DJ Mag’s annual Best of North American Awards poll gives our readers the opportunity to show their love to their favorite DJs, producers, labels, clubs...
It’s 2017 and techno is bigger than ever. It’s a statement that could, of course, be applied to dance music overall, but this year has...
Charlotte de Witte has shot into techno’s upper echelons since assuming her real name for her productions and DJ slots. Initially using the male-sounding alias...
It’s 2017 and techno is bigger than ever. It’s a statement that could, of course, be applied to dance music overall, but this year...
DJ Mag attempts to find out just why he's so popular...
Mladen Solomun is a big chap. A big, bearded Balkan bombshell with a penchant for mashing up epic strings and sprawling synth-scapes with the odd...
Features
With increasing appetites for old, ‘undiscovered’ music, reissue labels have seen a boom in recent years. Running a reissue label is a tender, laborious process...
Features
Baile funk is a phenomena of Black Brazilian music. But despite a huge fanbase and cultural influence, funk is often criminalised in Brazil because of...
Features
Having laid the groundwork last year, here are the five essential acts set to make 2019 their own...
KETTAMA (from Galway, Ireland)
Key tunes: 'Body', 'Kilt', 'Raw Cuts'
For fans of: DJ Haus, Mall Grab, Lone
Evan Campbell talks at about a...