“The first few events were all just a bit of fun. We just wanted to hear the music we liked that wasn’t being played in...
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Results for: Ears have eyes
Features
Lukas Wigflex and the team behind his eponymous party brand have offered the people of Nottingham countless opportunities to let loose over the past decade...
The making of a world class DJ
We spoke to Jack Eye Jones, a UK producer and modern dance success story whose name you’ll be hearing a lot of this year.
We...
Brooklyn's underground electronic duo Blondes are back with a new album, laced with dark techno tones and hypnotic psychedelic edges. With all eyes on NYC...
When various music circles started buzzing in early 2010 about a Brooklyn duo that fused elements of the American jam-band aesthetic with ecstatic trance, we approached with due caution. Fast-forward over the past three years and, what could have potentially gone so wrong has gone so right.
Features
The last decade has yielded some extraordinary innovations in dance and DJ culture. Below, we count down some of the most significant technological tools to...
It’s 2008. Armin Van Buuren has won the DJ Mag Top 100 DJs poll for the second year running. Gordon Brown has shakily taken the...
Features
Coyu might be best known for techno and house, but as his debut album confirms, he won’t be pigeonholed
Features
1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today
We spoke to three of the most important people behind the club to find out how it's endured and remained fresh after all this time...
“I did two Cream after-parties here in 1994. The Chemical Brothers did one, and Pepe [Roselló, the owner of Space] walked up to them after...
The Italian titan of the decks Mauro Picotto returns...
Mauro Picotto is like his native Italy’s finest desert, tiramisu. His nature is sweet and easy to indulge in. You...
Line-up for WHP 2012 announced
Club colossus Warehouse Project served the billing for its 12-week stint at new home at Victoria Warehouse, Old Trafford, this week. And, yes, as...
Tech
The German company have used Gearslutz to fuel yet another rumour...
Another day, another rumour from Behringer – this time the news that they're going to release up to 40 Eurorack modules over the next two...
We troll him about his hatred of EDM...
Uncompromising, passionate, and very opinionated: Dave Clarke is the man John Peel famously dubbed the Baron of Techno. As one of the consultants for the...
Features
To coincide with his new album release, Omid 16B picks out ten tracks key to his musical development over the years
Los Angeles’ chief purveyor of melancholic electronics selects personal favourites and inspirational cuts...
Four years on from his ‘Dark Red’ album and LA producer Henry Laufer’s solo work is as luscious and melancholic as ever. Released back in March...
More and more women are taking to the decks. But there are some sexist idiots who can't get their heads round it...
Man approaches decks. “Alright love,” he says. Although my heart sinks, I smile politely and say hello back, hoping he’s not going to try and...
Features
Josh Wink has been dominating clubs and festivals as a DJ, producer, label-runner and remixer for almost 30 years. Alongside long-term friend and fellow Philadelphian...