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Results for: Grime

The Crystal Method are one of the United States’ longest-standing dance music outfits, with a career that spans over two decades, thousands of gigs and...

On the north side of downtown Los Angeles, under the Broadway Bridge, a parking lot heaves with the breakbeats of Scott Kirkland of The Crystal...

Akala's Natives: Race And Class In The Ruins Of Empire is a fiercely honest appraisal of growing up poor and mixed race in broken Britain...

MC Akala, the stone cold power-fisted slayer of Charlie Sloth’s Fire In The Booth freestyle session, can also take down any quasi-righteous, over-privileged member of...

Plastician by Brynley Davies

Upstart tech like blockchain has been dominating discourse around the music industry's next steps and has become one of the most divisive trends of the past 12 months. Declan McGlynn speaks to Plastician about why he believes it's the future for independent labels, promoters and artists 

Plastician is a name synonymous with grime, dubstep and bass pressure in all its forms. He built his sound and rep as a host on...

 

When the pandemic hit, Hyperdub-signed Canadian musician and vocalist Jessy Lanza packed up and moved to the sunny West Coast, where she began a...

On a sunny, autumnal afternoon, sitting on a bench in San Francisco’s Golden Gate Park, producer and vocalist Jessy Lanza is running down the history...

The cover of beastie boys' 'Ill Communication' on a dark background, with a distorted yellow version of the cover marked into it

The release of Beastie Boys’ fourth album on 31st May 1994 signalled a new era not just for the New York trio, but for music at large. Fusing sampladelic hip-hop, punk and unruly rap rock with brazen stylistic experiments, it set a refreshingly eclectic tone after a decade of genre tribalism, and altered perceptions of the group on both sides of the Atlantic. Here, Ben Cardew learns how

‘Ill Communication’ wasn’t the biggest Beastie Boys album; that medal goes to the multi-million selling ‘Licensed to Ill’. Nor was it the New York trio’s...

12 emerging artists you need to hear this May

The latest and greatest DJs and producers rising to the top this month. From deep Afro-house and trance-infused techno to atmospheric jungle and beyond, here's May 2022's list of upcoming talent you should be keeping track of

A rising star among deep and Afro-house lovers, vocalist and producer Miči’s Instagram feed reads like a blow-by-blow account of her story so far. The...

Clubs across England opened dancefloors for the first time in 16 months during the early hours of Monday morning (19th July). But while people hit...

“The clowns in Government have abdicated responsibility,” says promoter Rich Reason, a matter of days before the return of his storied Manchester party, Hit and...

A staple of Bristol’s hybrid bass/techno scene, Hodge has begun to branch out in recent years, resulting in a stunning debut album, ‘Shadows In Blue’...

Takumi Fujiwara is a tofu delivery driver. His father, Bunta, holds the record of the fastest downhill time at Mount Akina; he’s known as “the...

Over the last decade, the Afro-Portuguese sound of Kuduro has travelled from the bairros of Lisbon to a global audience. DJ Mag's Anna Cafolla meets...

The Portuguese word ‘desenrascanço’ doesn’t have a direct English translation, but it can be roughly described as an ability to untangle oneself from a difficult...

Berlin’s techno superstar Paul Kalkbrenner is back with a new LP that pays tribute to the city’s halcyon early rave days. We find out more...

Berlin is a city that’s always maintained an uneasy relationship with celebrity culture. It was here that David Bowie went to get away from the...

 Already a staple sound of Ibiza at DC-10 and Parisian clubs like Concrete and Rex, French house is now truly going global...

It’s August 2013 and the trio of Dan Ghenacia, Dyed Soundorom and Shonky are coming to the close of an eight-hour showcase of their trademark...

The parties not to miss at ADE 2014

Canals and weed is all you need. Throw in a jammed schedule of the sickest parties — excellently programmed and expertly produced — and you've...

The Crosstown Rebels man opens up about his path to dancefloor domination, rising from the figurative dead, his belief in the Crosstown “family”, the Rebel...

Damian Lazarus is the leader of Crosstown Rebels — not just a label, but a globe-trotting party and network of like minded artists. Celebrating 10 fiercely independent years of always innovative house and techno in 2013, the Lazarus man opens up about his path to dancefloor domination

Ireland’s drill scene has been blowing up since 2018, with homegrown rappers and producers putting their own spin on the world-conquering sound. Robert Kazandjian speaks...

Every drill scene has its transcendent track; one so potent that it blasts hyper-localised sounds out towards national and international listeners. ‘Don’t Like’, ‘Let’s Lurk’...

Double O and Mantra stand side by side on a dark, green-light background, Mantra's arm on Dubz shoulder

More than a club night and record label, Rupture has become a nexus point for the global jungle/drum & bass community, helping to galvanise a new generation while re-energising seasoned heads. Founders and life partners Mantra and Double O tell DJ Mag’s Ben Hindle about its evolution, and the importance of championing inclusivity and musical freedom

It’s early April and nearing 8am at East London nightclub, FOLD. The spirited vocal of DJ Vibes & Wishdokta’s ‘Midsummer Mist’ is cutting its way...