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Results for: DJ Marky

Following the massive 'Mr Spock', Dirtybird's Justin Martin finally gets the props he deserves...

San Francisco’s Dirtybird Justin Martin has been bubbling under for years as your favourite underground DJ/producer. But the amiable tech house nut has his sights...

A guide to dance music's pre-rave past...

We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...

It’s taken three years, countless gigs, umpteen rewrites, a clutch of Beatport chart toppers, and one high profile plagiarism case, but finally — finally —...

“It’s not the same album it was three years ago!” Mat Zo laughs, Skyping from his current base in the LA suburbs. “I’ve done a...

In Depth Conversation With the Electro Funk King

Mancunian DJ Greg Wilson has never been in finer fettle. Placed in the pantheon of greats ever since his epochal electro funkin' disco sets at...

Press shot of Jackie Hollander lying on her front on a black couch wearing denim jeans, denim top and black boots

Get acquainted with Jackie Hollander, the San Francisco-based melodic house and techno producer whose thumping tracks have landed on labels like Nervous Records, REALM and There Is A Light

Jackie Hollander walked into 2023 with a Hail Mary mindset. “I only had one New Year’s resolution,” she tells DJ Mag on a morning video...

The first dBridge album in 10 years pushes the boundaries of what drum & bass can be to the limit, but as we find out when we meet...

September 2018: Darren White, the artist we know best as dBridge, is in a good place. Literally, creatively, professionally, he’s in the midst of his most prolific and accelerated...

SOPHIE DJ Mag cover feature lead

When news broke about SOPHIE's tragic passing in January 2021, the music world was stunned. A visionary artist who released on Hutleys + Palmers, Numbers and PC Music, and worked with stars such as Charli XCX and Madonna, at 34, it felt like SOPHIE was just getting started. Anna Cafolla, who wrote DJ Mag’s cover story on SOPHIE in July 2019, pays tribute to the unique artist’s authenticity and artifice

When I met SOPHIE for DJ Mag in 2019, I was struck by the artist’s singular vision. In the chaotic fug of Ibiza, SOPHIE shone...

Using data from Top 100 DJs voters and house/techno Beatport purchases, we present the Alternative Top 100 DJs 2019 

Last year, we launched the DJ Mag Alternative Top 100 DJs poll, in association with Beatport, generated by combining Top 100 DJs voting data with...

As venues begin to reopen in England, there are also a plethora of electronic music event spaces launching. Martin Guttridge-Hewitt spotlights 10 new UK clubs...

The last 16 months couldn’t have been worse for music venues. As Covid-19 arrived on British shores last March, scenes and businesses descended into turmoil...

Photo of Doka Amsterdam

Audiophile sanctuaries for a premium auditory experience, listening bars — or hi-fi bars — are increasingly common in the UK and Europe. They prioritise a top-notch sound system and equipment, but increasingly differ from their Japanese forerunners. Ria Hylton learns more

This feature was originally published in DJ Mag's May 2024 print edition, shortly before JAZU announced that it would be leaving its Peckham venue. The...

We throw a few curveball questions the way of Hot Since 82

This issue we coax Hot Since 82 into the Hot Seat. Genial Yorkshireman Daley Padley, aka Hot Since 82, has hit pay-dirt since adopting the...

The fight to preserve Ukraine’s electronic music culture in a time of war

Amidst the horrors of russia's war on Ukraine, local DJs, producers and music professionals have had their lives ripped apart, but many have passionately continued their work at home and abroad, using their experience to provide funds and direct aid to causes on the ground. Here, Tanya Voytko talks to artists from across the country about their personal experiences over the past six months, and to learn how they’re striving to preserve and promote their rich and diverse electronic music culture

I started writing this article on 22nd June, the day of remembrance for the victims of World War II in Ukraine. At dawn on that...

Hackney-based Nervous Horizon has established itself as one of the most exciting and forward-thinking club labels in London. For this month’s The Sound Of, two...

UK producer Lange delivers an exquisite selection of melodic trance

"We are the music makers, and we are the dreamers of dreams." It's these resonating words — spoken by Willy Wonka in the original film...

The cover of beastie boys' 'Ill Communication' on a dark background, with a distorted yellow version of the cover marked into it

The release of Beastie Boys’ fourth album on 31st May 1994 signalled a new era not just for the New York trio, but for music at large. Fusing sampladelic hip-hop, punk and unruly rap rock with brazen stylistic experiments, it set a refreshingly eclectic tone after a decade of genre tribalism, and altered perceptions of the group on both sides of the Atlantic. Here, Ben Cardew learns how

‘Ill Communication’ wasn’t the biggest Beastie Boys album; that medal goes to the multi-million selling ‘Licensed to Ill’. Nor was it the New York trio’s...