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ESG logo

When the South Bronx dance-punk outfit ESG released their Martin Hannett-produced debut EP in 1981, they had no idea how pivotal their stripped-back, funk-fueled sound would be on the evolution of hip-hop and house music: ‘UFO’ has been sampled over 500 times; ‘Moody’ was a staple in Larry Levan’s Paradise Garage sets. Four decades later, ahead of their set at Melting Pot & Optimo’s Queen’s Park Spring Weekender, Daniel Dylan Wray tells their story

One day in 1979, a young Renee Scroggins imagined what it would be like if a UFO landed in the housing projects of the South...

Welsh music feature

Since electronic music’s early days, Wales has produced incredible artists, but is often overlooked in its history. Here, Dave Jenkins celebrates the unsung heroes of the scene and meets a new generation putting their national identity at the forefront of their music

Croeso i Gymru, a land rich with music history. Home to the oldest festival of music and culture in Europe (the Eisteddfod, 1176), Marconi’s first...

Fred P

A decade and a half into a career making emotionally involved house music, Fred P’s sense of purpose is stronger than it’s ever been. The New York–born, Berlin-based artist fills us in on where he’s been, where he’s at and where he’s heading

Along with most of the world’s population, Fred Peterkin, the DJ and producer best known as Fred P, was having a tough time during the...

Rewiring Nairobi: ownership and electronic music in Kenya’s capital

East Africa’s first music technology summit, Kilele, brought together artists and industry figures from Kenya and across Africa and Europe for a series of boundary-pushing performances, discussions and collaborations. Martin Guttridge-Hewitt reports on how the event and a bubbling local underground are ushering in a new era for Nairobi’s electronic music scene

Exiting your car on the inside lane is never good. But when our taxi is rear-ended amid the mayhem of Nairobi’s Waiyaki Way, we get...

Kerri Chandler DJing live

For DJs with a packed touring schedule, gigging at one iconic club after another, finding the time to sit down in the studio can be nearly impossible. But when Kerri Chandler wanted to work on a long-delayed album, he hit on a solution: he’d transform those clubs into temporary studios, creating tracks attuned to each space. The result is ‘Spaces And Places’, and it’s some of his best work yet

“Sorry, it’s a little dark in here. I usually have club lighting on down here, like with rotating heads and stuff,” Kerri Chandler says, with...

Photographer Stuart Linden Rhodes, known mononymously Linden, spent the ‘90s capturing the queer clubbing scene in the north of England on his camera. Now his...

Throughout the 1990s, Stuart Linden Rhodes was a teacher by day and a writer and photographer covering the north’s gay clubbing scene at night. In...

Photo of ANOTR floating in air against a sunset background while reading DJ Mag’s March cover issue

Dutch duo ANOTR have amassed a huge audience with their emotional house music and incredible club events centred around art and human connection. Ahead of their appearance in Miami at the DJ Mag pool party, they tell Amy Fielding how risk-taking, open-mindedness and collaboration are at the heart of everything they do

ANOTR are all about emotions. Enhancing them, recalling them, changing them, understanding them. Everything the Dutch duo do is intentional, produced to share how they’re...

The Horse Meat Disco logo on an orange background with dancers

Horse Meat Disco held their first party at what would become known as The Eagle pub in Vauxhall, London on New Year’s Day 2004. As their weekly Sunday night queer party grew, so did their international reputation, and they haven't stopped since. Here, Andy Thomas charts the soaraway success of the disco house collective over the last two decades

“It’s Princess Julia stretching across the stage in smoky mascara and emerald green stockings. It’s classic Amanda Lear videos playing on the wall as three...

DJ decks

Even as pandemic restrictions have lifted, and clubs and festivals have returned, the spectre of coronavirus lingers for many due to the debilitating impact of long Covid. Here, Dhruva Balram speaks to people in the dance music industry about how the effects of long Covid, and a lack of understanding around it, have impacted them, and asks whether it should be recognised as a disability

“My energy levels have never returned to what they were,” says London-based DJ and broadcaster DEBONAIR. “I don’t have the muscle strength and energy that...

Photo of Joseph Capriati with an orange beam of light across his eyes

Joseph Capriati is considered one of the world’s foremost techno technicians — but the veteran artist is much more than that, with the sounds of deep house, tech-house and more running through his sets and productions. With a newfound creative energy and sense of musical freedom, he’s as happy as he’s ever been — but if it wasn’t for a twist of fate, he wouldn’t have a career at all, as he explains in a wide-ranging conversation

Let’s jump into a time machine and travel back a decade or so, to a massive warehouse on the Brooklyn waterfront. You find yourself at...

Julia Toppin selects 10 essential documentaries that paint a portrait of 30 years of jungle drum & bass, charting the stories of its origins to...

When compared to other UK dance music genres, the documentary coverage of jungle drum & bass is remarkably thin on the ground, largely limited to...

Paranoid London’s acid reign

Acid duo Paranoid London new album boasts a beefier sound than ever, and a host of new collaborators. Here, Joe Roberts meets them and learns how a chance meeting, faster tempos and the politics of the moment have shaped their new approach

It’s a dark, wintery evening in far North London and Paranoid London are in full flow at DRUMSHEDS, London’s latest super-venue. Opened on a former...

Photo of DESIREE wearing a purple hat and eye-makeup on an emerald background

Soaring ascents, the kind that can take an artist from obscurity to stardom in what seems to be the blink of an eye, don’t occur often, in dance music or elsewhere – those who are lucky enough to have that experience often disappear just as quickly. But there’s little chance of a quick fade for South Africa’s Palesa Desiree Shilabje, the DJ and producer known to the world as DESIREE, who in just a few short years has proved to be one of the international festival circuit’s most exciting new stars. Here, Bruce Tantum hears her story, and about how her evolution through music has been as organic as they come

“I’m finally home.” Those three words are among the first that the South African DJ and producer Palesa Desiree Shilabje utters when DJ Mag catches...

DVS1 is one of techno’s most well-respected DJs. He’s paid his dues, spent a couple of decades getting to where he is today, and it’s...

“I just did the closing in Berghain,” Zak Khutoretsky says. “Played a little over 11 hours, got a little rest, and now I’m here with...

Photo of Sara Landry wearing a black catsuit and eye make-up

If hard techno is energetic work, then Sara Landry is a divine healer. Driven by an innate desire to connect with and unite the crowd, the California-born DJ is often credited as the high priestess of the breakneck sound, but behind her signature cloak of organised chaos lies an unshakable force for good. We catch up with the international star to learn more about her spellbinding sets, and why the masses are craving a fierce new edge

There’s a curious birthmark near the top of Sara Landry’s shoulder blade. The origin story behind its scar-like shape is even stranger still. “This is...