Since 2010, the UK has seen a decimation of local authority culture and arts budgets, with almost £400m being stripped out of annual spending since...
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Pirate Studios has given thousands of young producers and musicians affordable access to recording and DJ studios, encouraging collaborations, community and creativity. As an uncertain...
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The latest and greatest DJs and producers rising to the top this month. From soulful house and industrial techno to razor sharp rhythms and organ...
As a show of solidarity to support the artists and labels impacted through the cornavirus pandemic, we've launched a weekly roundup of the most vital...
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After more than three decades of DJing all over the world, Carl Cox remains one of dance music’s most beloved figures. With a new album on the way, and a fresh emphasis on live performance, Bruce Tantum speaks with the king about his incredible journey so far, and his determination to keep challenging himself
The unmissable parties that you need on your radar!
It’s back. America's most important electronic music gathering is returning to South Beach in Miami. The Winter Music Conference 2013 (and its wider nomenclature Miami Music Week) will be host to the industry's hot shots — the DJs, producers, promoters and label owners pulling the strings of this international emporium we call dance music — their arms (and minds) wide open to another onslaught of Miami madness.
A staple of Bristol’s hybrid bass/techno scene, Hodge has begun to branch out in recent years, resulting in a stunning debut album, ‘Shadows In Blue’...
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With three decades as one of house’s biggest names under his belt, Roger Sanchez has seemingly lost none of his enthusiasm for the music that...
Features
At the centre of Daft Punk’s world-beating debut album lay a tribute to the architects of dance music, titled ‘Teachers’. With the help of Neil...
After a close encounter in a techno-themed Death Star, Richard Norris and Martin Dubka’s project Circle Sky was born...
WORDS: Declan McGlynn
PICS: Richard Stow
Duos are nothing new to Richard Norris. As one half of the hugely successful ’90s act The Grid, he...
DJ Mag join frontwoman Cata Pirata and the band in Amsterdam to find out what exactly spurs their voyages across the atlas...
From their Amsterdam base, Skip & Die roam the world looking for fresh sounds to inject into their raucous global bass 'n' beats. And with their debut album 'Riots In The Jungle', they're not afraid of stirring a little insurrection. DJ Mag join frontwoman Cata Pirata and the band in their home city to find out what exactly spurs their voyages across the atlas...
Features
The release of Beastie Boys’ fourth album on 31st May 1994 signalled a new era not just for the New York trio, but for music at large. Fusing sampladelic hip-hop, punk and unruly rap rock with brazen stylistic experiments, it set a refreshingly eclectic tone after a decade of genre tribalism, and altered perceptions of the group on both sides of the Atlantic. Here, Ben Cardew learns how
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East Africa’s first music technology summit, Kilele, brought together artists and industry figures from Kenya and across Africa and Europe for a series of boundary-pushing performances, discussions and collaborations. Martin Guttridge-Hewitt reports on how the event and a bubbling local underground are ushering in a new era for Nairobi’s electronic music scene
Stepping away from EDM, musical foundations, why Ibiza still trounces Las Vegas, and more...
Kölsch is a man of taste. Well over six foot tall and wearing his signature black Panama hat, he exudes warmth and charisma when we...
<p>It’s a good job Italian DJ/producer Riva Starr loves his job...</p>
The secret to a successful career in music-making, says Naples-born, London-based producer Riva Starr, must have something to do with having the ability to “surprise...
Mixed up in The Hague
It's impossible to overstate The Hague's impact on dance music. In the early '90s, this small city in northern Holland crafted a bastardised version of the sounds bubbling out of Detroit, a ravey mash of jacking house and techno that, at the time, sounded almost impossibly futuristic.