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Point Blank (London) has the heady accolade of being the best equipped Ableton and Pioneer training centre in Europe. However, not content to rest on...

On the brink of his career-defining stateside Fall tour, 30-year-old Paul Van Haver, known globally as Stromae, juxtaposes many of society's hushed taboos through his captivating stage presence, unorthodox sense of style and poignant lyrics birthed by his altruistic identity.

The phone line is awash with chicken bravado. “We like to do a bit of cheffing when we’re on tour,” brags Adam Kaye one half...

The day before DJ Mag speaks to Brikha, the producer played a mammoth Berghain Sunday session, enticing the crowd with his deep techno blends and...

As a teenage boy, music-obsessed Kris Needs ran the fanclub of '70s bluesy-glam band Mott the Hoople before becoming immersed in the London punk scene...

With Belgium Booms, a series of events in London this October showcasing the country’s talent, and a new film The Sound of Belgium looking to change that public perception, we take a closer look at the country that gave us EBM, new beat, hardcore techno and so much more...

“We loved electronic sounds, really,” adds Phil. “With synthesisers it was like, ‘What made that sound?’ It was that sort of search – for electronic sounds and drum machines.”



‘Killer’ started life as an instrumental, and it was only ever going to be one until I met Seal,” Adamski tells DJ Mag. “He came to [big rave] Sunrise 5000 at Santa Pod, although I didn’t meet him there. He walked in when I was playing and he had an epiphany.” Seal wanted to record with Adamski immediately, and Adamski — real name Adam Tinley — liked the sound of Seal’s voice from a demo of ‘Crazy’ that he’d heard.