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New Miller SoundClash champ Jaffer gives us the lowdown...
Tell us about your Miller SoundClash weekend – how was the Las Vegas experience?
It was an amazing and unforgettable weekend full of first times...
The French pair talk taking drugs the right way, cheaters, cake hate and more
Previously finding that studio je ne sais croix on collaborative release, “Apocalypse 2014,” Arno Cost and Norman Doray hook up once again, this time to...
With big-name collabs and a full-length with purpose in the works, Kiesza’s star keeps rising...
When Kiesza released the video for her single, “Hideaway,” she was hoping maybe a couple of her friends would share it on Facebook.
“I was...
Should DJs who have never taken illegal drugs be banned from the decks?
Dance music used to be all about getting off your chops to some amazing futuristic electronic sounds. The DJs would get as fucked up as...
Set to do battle in Las Vegas
We are now just one month away from the Miller SoundClash finals in Las Vegas. The 10 DJs here, each representing a different country will...
Get the lowdown ahead of your SoundClash entry
Last week Miller Genuine Draft launched SoundClash - the incredible new DJ competition in association with DJ Mag and Mixcloud.
The competition will give...
From 'Vegas To Ibiza' with a trance legend
DJ Mag spoke to Paul about his latest compilation ‘Vegas To Ibiza’, musical adventures and deep-routed passion for the dance music scene and his long-awaited next artist album...
Wednesday March 20th
So following a slight lull in proceedings between Ultra Week One, and WMC proper, yesterday marked the start of the biggest parties in the lead...
Saturday March 16th
Welcome to day one of our Miami blog. Across the course of the week we will be bringing you daily updates from the Winter Music Conference, Miami Music Week or whatever you want to call the annual celebration of electronic music taking place in Miami right NOW!
Ian Pooley on his new album 'What I Do'
Somewhat of an unsung hero in house and techno circles, Ian Pooley has been producing and releasing tracks for over 20 years. The German DJ/producer, born Ian Pinnekamp and hailing from Mainz near Frankfurt, differs from many of his fellow contemporary countrymen, however, by leaning more towards the house music side of the 4/4 spectrum.
At what point did remixing mainstream pop rubbish become acceptable?
Don't get DJ Mag wrong, there's been a long tradition of the remix as a credibility boost in the music industry. Back in the day, from the late '80s and the first crossover of house music onwards, dire popstrels of the ilk of Simply Red and the Spice Girls (or rather their record companies) would be queuing up for a taste of authentic dance flavour, getting cool names to remix their tracks in order to boost sales of 12”s.
We get friendly with dubstep king Caspa
Stateside “EDM” kids a tad confused, take note: it doesn't get more “dubstep” than Caspa. Known to his mum as Gary McCann, he...
With Miller Genuine Draft
Miller SoundClash – the global DJ competition run by Miller Genuine Draft – offers aspiring DJs a once-in-a-lifetime opportunity to play to a packed crowd...