“There were times, I can’t do it now — don’t even ask me — where I ran up walls and did backflips.” On what feels...
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Features
Alison Wonderland is on the verge of releasing her sophomore studio album, ‘Awake’, after an incredible 2017 that saw her debut at No. 89 on...
Alison Wonderland is serenading DJ Mag over the phone. We’re comparing tattoos, and this author only has one – a waveform from Modjo’s 2001 hit...
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Less a secret, more a yearly celebration of hedonism and childishness, this year's Secret Garden Party proves why it is one of the UK's most...
Heading along the winding countryside roads of Abbots Ripton, after stocking up on Strongbow at the nearby Tesco, Gardeners like ourselves meet playful signs... 'Imagination...
Features
Marcia Carr is into her fourth decade behind the decks and has seen many trends come and go in that time. Throughout, she’s stuck with what truly moves her: an assortment of Black music from jazz, funk and boogie to gospel house, broken beat and beyond. She’s thought about giving up DJing on more than one occasion, but — driven by passion and faith — is now enjoying a well-deserved moment in the sun. Alongside an uplifting On Cue mix, she tells Ria Hylton her story
Features
Daft Punk split up three years ago, but thanks to a near-constant stream of archival video releases, album reissues, merch drops and more, the robots feel more present than ever. But what are the limits to one of dance music's most iconic acts' prolific post-split existence? Will it start to wear thin? And what does it all say about the brand-focused and content-driven ecosystem we find ourselves in today? Ben Cardew dives in
Features
This year’s Whole Festival marked the biggest underground electronic music-focused queer festival on the planet, bringing together LGBTQ+ collectives, artists and ravers from around the globe. Marke Bieschke heads to Germany to find out how Whole has created a world of its own
Tech
As subscription models have begun to make their way into our DAWs, we look at the three different models for using plugins — outright ownership, continual rent, and rent-to-own. Here, Declan McGlynn asks: are subscription models better for producers? And are we heading towards an even heavier onslaught of abundance over efficiency?
Features
When the pandemic hit, Hyperdub-signed Canadian musician and vocalist Jessy Lanza packed up and moved to the sunny West Coast, where she began a...
Features
On Cue is our flagship mix series, celebrating the pivotal DJs and producers whose influence has shaped the world of electronic music, both in their...
“Om Unit was never supposed to be a jungle or a drum & bass project, as such,” Jim Coles, the man behind the moniker, tells...
Features
DJ Mag travels to the closest land mass to Antarctica on the planet to meet Gorillaz’s lead guitarist, Noodle, as the band’s bassist remains incarcerated...
People travel the immense distance to Patagonia for all manner of reasons: its jagged glacial peaks, untouched rivers and trekking on the scale that made...
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Features
From its beginnings in Yorkshire clubs to becoming a nationwide dance music phenomenon and chart success, the bassline sound has survived and thrived, despite the efforts of the police and club licensing authorities. Matt Anniss charts its rise, fall, resurgence and influence on a new generation of DJs, producers and ravers
News
Our annual update, addressing how we can tackle racism and diversity issues within the electronic music industry as a publication
Features
Ivorian DJ, producer and visual artist Asna records a two-hour mix heart-racing percussion and global club rhythms for the Fresh Kicks series, and speaks to Kamila Rymajdo about collaboration and her limitless creative vision
Features
THC delivers a vinyl-only mix of high-energy house and classic rave thumpers for the Fresh Kicks mix series, and chats to Eoin Murray about her love for ‘90s dance music, the Venus Vessels non-profit collective, and building her name during the pandemic