Monolink, known to friends as Steffen Linck, is in the middle of a studio session, working in a complex filled with studios in his home...
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Tiga, DJ Hell, Boy George, Danny Howells and Soulwax talk about Bowie's impact...
It was Bowie’s ability to experiment, trend-spot, paint lyrical images and create new personas — chameleon-like — in the '70s that gave him such a cult following.
On the heels of announcing a new album due out later this year, German artist Monolink chats to DJ Mag about his musical history and...
Chicago's Hieroglyphic Being records one hour of fuzzy-and-jazzy live techno for the On Cue mix series, and speaks to Lauren Martin about surviving as an...
DJ Mag takes in Iceland Airwaves – in partnership with our friends at BULLDOG Gin – a long-running music festival focussing on homegrown talent...
Meshing dancehall, dub, techno and industrial, Bristol’s Bokeh Versions label has carved a unique niche in the UK underground Alongside a 100% Bokeh mix recorded...
After nearly five decades in music, nobody could blame François Kevorkian for taking it easy. But that’s not in the France-born, NYC-based polymath’s DNA. Shortly after celebrating his 70th birthday, Bruce Tantum hears his story, and learns about the curiosity and drive that keeps him going
In early 2009, Eamon Harkin and Justin Carter launched Mister Saturday Night. The party formed the roots of what would eventually become the beloved nightspot Nowadays, a “by us, for us” club that’s become a community hub for NYC’s nightlifers. Following the release of a sprawling box-set to mark the party’s 15th anniversary, and alongside a mix recorded live from the club, Harkin, Carter and a few of the compilation’s featured artists fill us in on what makes Mister Saturday Night so special
DJ Lee Burridge sends us his diary each month. This time, he reports from Miami and all the craziness of his '365' world tour.
'365' World Tour Diary - Destination: MIAMI Each month Lee tears the pages out of his diary and sends them to DJmag.com
Words: Lee Burridge...
In a few short years, UK drill has changed significantly. After a small number of producers that pioneered the sound left indelible marks on its...
The Warehouse Project returned for its final year at its “spiritual home” of Store Street last weekend. DJ Mag’s deputy digital editor Rob McCallum looks...
The UK club scene has changed hugely since the mid-noughties. The End is gone. As are The Cross, Turnmills, The Arches, Sankeys and countless more...
We take a look back at the news of 2015 through the prism of the international dance music scene. It's been quite a year!
January is a notoriously slow month in clubland — a time when gym memberships take priority over all-nighters and pennies are scraped together. Many top...
Creating a safe environment on the dancefloor is crucial for the mental wellbeing of all club-goers, particularly those from marginalised communities. Christine Kakaire speaks to...
Dutch duo ANOTR have amassed a huge audience with their emotional house music and incredible club events centred around art and human connection. Ahead of their appearance in Miami at the DJ Mag pool party, they tell Amy Fielding how risk-taking, open-mindedness and collaboration are at the heart of everything they do
Drawing from dub, jazz and field recordings, the debut album from rRoxymore finds her upturning the orthodoxies of dance music to create something fresh
Belfast’s Irish language rap trio Kneecap have created a serious buzz with their fiery, politically-attuned lyrics and chaotic live shows. Their Toddla T-produced debut album, ‘Fine Art’, and forthcoming feature film are set to catapult them even further onto the global stage. But as Brian Coney learns, their commitment to their native tongue, doing things their own way, and reshaping the narrative of modern Belfast remains their top priority